Benin King Oba bronze standing figure, Nigeria, 20th Century
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Benin King Oba bronze standing figure, Nigeria, 20th Century
Benin King Oba bronze standing figure, Nigeria, 20th Century
Lost wax cast bronze with a rich brown and black patina with light desert sand patina in some of the recessed areas.
The art of Benin is the product of an urban royal court, and is meant to symbolize and to extol the power, mystique, grandeur, continuity, and endurance of the ruling dynasty and its governing institutions. From the 14th century until its fall in 1897, Benin was ruled by the Oba, a divine ruler at the head of the political system of titled chiefs. Under royal support, a number of craftsman's guilds produced bronze, brass, and wood sculptures and embroidered cloth, all of which have become prized by museums and collectors.
African Bronze “Tree of Life” Sculpture 20th Century
African Bronze “Tree of Life” Sculpture 20th Century
Sand cast bronze with a brown black patina with golden highlights in an open work design depicting 18 figures perched on a tree form with various intricate pattern details.
***As a Primitive / Tribal sculpture this piece visually relates to some of the sculpture and painting of the renowned French artist Jean Dubuffet.
Andre Vincent Becquerel Arabian Horse bronze sculpture c. 1930
ANDRE VINCENT BECQUEREL (1893-1981) France
Arabian Horse sculpture c. 1930
Bronze with overall rich green/brown patina with intricate sculpting and details, black Belgian marble plinth base
Signed: A. Becquerel (inscribed in the bronze)
H: 12” x W: 21” x D: 6”
Price: $27,500
Andre Vincent Becquerel was born in St. Andre-Farivilliers. He studied at the l’Ecole des Beaux Arts in Paris under Hector Lemaire and Prosper Lecourtier. He specialized in fine animal sculpture and regularly exhibited at the Salon des Artistes Francais from 1914 to 1922. Becquerel worked for the Editeur Parisiens Edmond Etling in Paris and created a monumental sculpture in patinated plaster for the “Pavillon international” at the Exposition Internationale in Paris in 1937.
Gustav Gurschner, Secessionist / Byzantine Revival bronze vase c. 1905
GUSTAV GURSCHNER (1873-1970) Austria
Vase c. 1905
Cast bronze ovoid shaped vase with decorative Celtic motif, lightly gilded, the body of the vase simulating leather with a rich brown patina
Signed: GURSCHNER, M180 (stamped in the bronze)
Related works illustrated: The Studio, Special Summer Number 1906: The Art Revival in Austria, ill. no. D6; Studio Yearbook (London, 1909), pp. 139-140; Vienna Turn of the Century: Art and Design, Fischer Fine Art, exhib. cat. (London 1979), p. 23, illus. 1; Bronzes, sculptors & Founders, H. Berman, (Atglen 1994 III) p. 781, cat. nos. 2893, 2894; Decorative Art 1880-1980, Dan Klein & Margaret Bishop (Oxford, England: Phaidon and Christie’s Limited, 1986) p. 84, illus. 1
H: 7 1/4″ x D: 7″ x D: 4″
Price: $14,500
Gustav Gurschner was born in Tirol, Austria. He attended the Fachschule für Holzindustrie in Bozen from 1885-1888. After three years, his instructors encouraged him to attend the Austrian Museum for Applied Arts’ Kunstgewerbeschule in Vienna. After finishing his formal training, Gurschner pursued a career as a sculptor of monumental works. It was while he was in Paris in 1897, that he first turned his energies from the application of small-scale, sculptural works to the aesthetic design of household objects. Shortly thereafter, he returned to Vienna to join the Secessionists whose ideals he shared. By the turn-of-the-century, Gurschner was not only one of the better known artists working in Vienna but enjoyed a reputation that extended into other European countries as well.
Benin King Oba bronze standing figure, African, Nigeria, 20th Century
Benin King Oba bronze standing figure, Nigeria, 20th Century
Lost wax cast bronze with a verdigris patina and a desert sand surface highlighting a rich brown patina.
H: 15″ x D: 4 1/2″ x W: 4 1/2″
The art of Benin is the product of an urban royal court, and is meant to symbolize and to extol the power, mystique, grandeur, continuity, and endurance of the ruling dynasty and its governing institutions. From the 14th century until its fall in 1897, Benin was ruled by the Oba, a divine ruler at the head of the political system of titled chiefs. Under royal support, a number of craftsman’s guilds produced bronze, brass, and wood sculptures and embroidered cloth, all of which have become prized by museums and collectors.
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