Product Description
Paul-Auguste Gagné, French Egyptian Revival Gilt Bronze Garniture Set c. 1875

Paul-Auguste Gagné (Sculptor) France
Egyptian Revival garniture set, circa 1875
Gilt bronze and carved rouge marble mantle clock and candelabra in a high Egyptian Revival style
Marks: P.A. Gagne (elaborate incised scroll signature on the back of the portrait bust)
For more information on Gagné see: Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, vol. 4, E. Bénézit (Paris: Librairie Gründ, 1976) p. 579.
For other related Egyptian Revival garniture sets see: Egyptomania: Egypt in Western Art, 1730-1930 (Paris: Éditions de la Réunion des Musées Nationaux and Ottawa: National Gallery of Canada, 1994)
H: 20 3/4″ x D: 6 3/4″ x W: 14 1/2″
Paul-Auguste Gagné, French Egyptian Revival Gilt Bronze Garniture Set c. 1875
SIR WILLIAM REYNOLD STEPHENS (1862–1943) London, UK
BRITISH ARTS & CRAFTS
Photo frame 1886
Bronze / copper lost wax casting with an elaborate stage set with a seeded figure and two capitals with mythological telamons, easel back
Marks: 18 December 1886, W Reynold Stephens London (signature and markings in the cast, bottom left front)
H: 6 5/8″ x W: 11 1/2″
Sculptor of decorative works, portraits and monumental figures, goldsmith and painter. Born 8 August 1862 in Detroit, U.S.A., of British parents; his father’s name was Stephens. Educated in England and Germany, then studied at the R.A. Schools and won prizes for sculpture and painting 1887. Assumed the additional name of Reynolds 1890. Exhibited at the R.A. 1886–1942, solely as a sculptor after 1894. Influenced to some extent by Alfred Gilbert and Pre-Raphaelite medievalism. Made many memorials, including those to Sir William Q. Orchardson, R.A., in St Paul’s, and to Archbishop Lord Davidson in the courtyard of Lambeth Palace. In 1904 he designed the chancel screen, reredos and other decorations for the Church of St Mary the Virgin, Great Warley, Essex. F.R.B.S. 1904, P.R.B.S. 1921–33, awarded R.B.S. gold medal 1928; knighted 1931. Died at Tunbridge Wells 23 February 1943.
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Cruet Set c.1922
Silver plated stand with original cut crystal paneled bottles
Model illustrated: Wiener Werkstätte G.M.B.H. catalog (December 1923), kat. nr. M di 5, p. 406. (This WW catalogue is in the collection at the Rare Books Department of the New York Public Library)
H: 6 1/2″ x D: 2 1/8″ x W: 6 3/4″
Price: $6,500
Friedrich Gornik (1877-1943) Austria.
“Pelicans” vide poche c. 1910.
Bronze with a natural gold patina of two pelicans on a rock, one seated and the other eating fish.
Marks: F Gornik and monogram.
For more information on Friedrich Gornik see: Der Österreichische Werkbund, Astrid Gmeiner & Gottfried Pirhofer (Salzburg & Wien: Residenz Verlag,1985) p. 228; Österreichische Keramik des Jugendstils, Waltraud Neuwirth (Munich: Prestel-Verlag, 1974) p. 156.
H: 9″ x W: 6 1/2″ x D: 6″
FRENCH ART NOUVEAU
JULIEN CAUSSE attr. (1869-1914) Bourges, France
Bronze and frosted glass grape cluster and vine lamp c. 1900
L: 24″ x dia (grape cluster): 7″
Julien Causse was born in Bourges, France and worked from 1890 – 1914. He studied in Paris under Falguiére and exhibited at The Salon des Artists Francais in the 1890s, obtaining honourable mentions in 1882 and 1900 and a third class medal in 1893. He also took part in the exposition Universelle of 1900.