Product Description
Arthur N. Colt, “The Wrestlers”, Oil on canvas c. 1938
Arthur N. Colt, “The Wrestlers”, Oil on canvas c. 1938
ARTHUR N. COLT (1889-1972) USA
The Wrestlers c. 1938
Oil on canvas
Signed: A. N. Colt in lower right corner
For more information on Colt see: Who Was Who in American Art (Madison, Conn.: Sound View Press, 1985). p.125. Hove, Arthur, ed. Wisconsin Alumnus Vol. 61, No. 9 (January 1960), “Portrait Patterns” Art Digest v. 9 (December 15, 1934) p. 7
Canvas: H: 29 ½” x W: 34”
Framed: H: 38 ½” x W: 43”
Arthur Colt studied painting at the Art Institute of Chicago and in Paris. He was not only an important Wisconsin painter but also an influential teacher. He taught at the University of Wisconsin, Madison, founded a summer art colony at Black River and Devil’s Lake, WI and went on to form the Colt School of Art. Arthur Colt exhibited at the Madison Salon of Art Exhibition in 1934.
Category: 20th Century American Painting & Sculpture.
Tags: "The Wrestlers", Arthur N. Colt, c. 1938, Oil on canvas.
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Duval Eliot “Still life”, Oil on canvas, wood frame c. 1945
DUVAL ELIOT (1909-1990) USA
Still life c. 1945
Oil on canvas, wood frame
Signed: Duval Eliot (lower right)
Painting H: 30” x W: 24”
Frame H: 38” x W: 32”
Duval Eliot, nee’ Ruby Duval Bearden, was born in Arkansas, and at a young age moved with her family to California. After going to Hollywood High School, she attended The Los Angeles Trade Technical College (then known as Frank Wiggins Trade School), studying Commercial Art and Design. While there, she began her art career as a men’s fashion illustrator. Then, because of her immense interest in art, immediately enrolled in Art Center School in Los Angeles, being one of their first students. She studied landscape painting (watercolor and oil), portrait, life drawing and illustration with Barse Miller and with Joseph Henniger, life drawing. At Art Center she continued studying all facets of commercial art and simultaneously worked at the Columbia Advertising Agency designing newspaper layouts and fashion illustrations for the major Los Angeles department stores such as I. Magnin, The Broadway, I. Miller, Wetherby Kayser, and Sak’s in Beverly Hills.
Throughout the 1940’s, Duval continued to create watercolor landscapes of Southern California and the West, while illustrating for J.J. Hagarty. Commercially, her prime focus was free-lance illustration, which could be created with a young child in tow, finding interesting work at the “Western Family Magazine,” for whom she did illustrations for over ten years. She also illustrated children’s storybooks and textbooks for MacMillian and L.W. Stinger publishing houses, meanwhile creating Fashion Advertisements and billboards in full color for Phelps & Terkel for several years and billboards for Silverwoods Department Store. For this work, Duval received the Western Art Directors Award in 1946.
During the post World War II years, Duval honed her fine art techniques. She studied with such notable artists as: Barse Miller, Hardy Gramatky and Ejnar Hansen (watercolor) and also with Hansen, (landscape & portrait painting in oil). In 1948, in The Fourth Annual Los Angeles Exhibition at The Greek Theater in Griffith Park, she won 1st Prize for her watercolor entitled “End of the Trail” among her peers of 326 entrants for painting, including Francis De Erdely, Lorser Feitelson, Conrad Buff, James Couper Wright, Frode N. Dann, Joshua Meador, Dan Lutz, and Chas. Payzant. She also studied painting with Conrad Buff, J.C.Wright, Design and Abstract Painting with Leonard Edmonson, and later, painting in acrylic with 2 years of intensive color with Guy MacCoy and silk-screen Serigraphy with Mario De Perentes. Duval also became close friends with Milford Zornes.
Duval became active in “The Southern California Designer Craftsmen” (S.C.D.C.) She won many awards and exhibited extensively throughout the 1950’s and 1960’s at Barnsdall Municipal Art Gallery, Pasadena Art Museum (paintings and enamels}, Gallery 333 on La Cienega. In the 1940s, she turned towards more formal subject matter including landscape and still life and honed her fine art techniques in watercolor, oil, acrylic, and printmaking.
She participated in several group exhibitions in the Los Angeles area in the late 50s and early 60s. Her work was featured in solo exhibitions at the Jack Carr Gallery in Pasadena in 1976 and the Brand Library Gallery in Glendale in 1988.
Duval was also an active member and on the boards of “The Pasadena Society of Artists”, ”The Los Angeles Art Association”, “Women Painters of the West”, as well as S.C.D.C., participating in numerous group (Design 6, 7, 8, and 9 at the Pasadena Art Museum) and one man shows in the vicinities of Pasadena, Glendale, Santa Barbara and Claremont. She was represented in Paris by two silk screen serigraphs at The Exposicion Internacionale des Federacion Femenine at The Museum des Arts Decoratifs in 1971.
Duval Eliot was also represented in The Los Angeles County Art Museum’s show “MADE IN CALIF” in 2001 with “Chavez Ravine” and “3rd St. Traffic”.
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Joseph Raskin, Seaside scene, Oil on Canvas c. 1920 -1925
JOSEPH RASKIN (1897-1981) USA
Seaside scene c. 1920 -1925
Oil on canvas, gold leaf frame
Signed: Jos. Raskin (lower left)
For more information see: Who Was Who in American Art,
(Madison, Conn.: Sound View Press, 1985), p. 505Canvas: 25 1/4” x 21 1/4”
Frame: 31 1/4” x 26 3/4”Price: $35,000
Born in Nogaisk, Russia, Joseph Raskin made a name for himself as a painter in New York City, where he was also recognized as an etcher, teacher and writer. He studied at the National Academy of Design and, in 1921, received a fellowship from the Louis Comfort Tiffany Foundation. A member of the American Artists Congress, Raskin’s work was exhibited at the Schervee Gallery (Boston) in 1927, Tricker Gallery in 1939, the Schneider-Gabriel Gallery in 1941, Steinway Hall in 1942, and the American Artists Association in 1945. Raskin’s work may be found in several museum collections including the Carnegie Institute in Pittsburgh, the Pennsylvania Academy of Fine Arts in Philadelphia, the Virginia Museum of Fine Arts in Richmond, and the Corcoran Gallery of Art and National Academy of Design, both in Washington, D.C.
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Otis Oldfield, Water Pipes and Shadows, Oil on Canvas c. 1920
OTIS OLDFIELD (1890-1969) USA
“Water pipes and shadows” c. 1920
Oil on canvas, walnut frame
Signed: Otis Oldfield (lower left)
For more information see: Otis Oldfield 1890-1990, Centennial retrospective exhibition (San Francisco, CA: Inkwell Publishing, 1990).
Painting: H: 16 1/8” x W: 13”
Framed: H: 28 ¼” x W: 25 1/8”Price: $42,500
***The Metropolitan Museum of Art in New York owns a famous Gelatin silver print photograph by Morton Schamberg from 1916 entitled “God”. This image is akin to Duchamp’s “Fountain” and is an iconic Dadaist assemblage of plumbing pipes mounted on a miter box. The “Water Pipes and Shadows” painting by Otis Oldfield similarly brings a certain animation and personality to an under sink composition of mundane drain pipes in a sophisticated “Rayonist” or “Cubist” stylization. Otis Oldfield was born in Sacramento, California in 1890. He enrolled in the Best Art School in San Francisco in 1909 and continued his studies at the Academie Julian in Paris. Returning to the U.S., Oldfield settled briefly Sacramento before returning to San Francisco to accept a post as a teacher at the California School of Fine Art. Oldfield developed a bold modernist style, which caused some controversy among critics covering his exhibits. In 1936 Oldfield was one of a group of San Francisco artists chosen for a WPA project to paint murals in San Francisco’s Coit Tower. Following WW II, Oldfield taught at the California College of Arts and Crafts in Oakland. He died in San Francisco in 1969. -
Jean Marion Gates Hall, “Napa Valley” Oil on canvas 1940
JEAN MARION GATES HALL (1911-2001) USA
Napa Valley 1940
Oil on canvas, original wood frame
Signed: with her monogram initials JGH (lower right)
Marked on back: Jean Gates Hall, June 18, 1940, Napa ValleyCanvas: H: 14″ x W: 17 1/4″
Framed: H: 17 1/2″ x W: 20 1/2″Price: $4,250
Born in Memphis, TN on May 19, 1911. Jean Gates studied at the Cummings School of Art in Des Moines. At age 14 she moved to Los Angeles with her family. There she continued at the Chouinard Art School while working for Warner Bros, Walt Disney, and Mintz Studios. Upon moving to San Francisco, she married writer James D. Hall in 1938. Her illustrations were used in her husband’s children’s books. She established a studio in the “Monkey Block” (now the Transamerica Pyramid) and was active in the local art scene. She later earned her B.A. degree at San Jose State University (1955) and M.A. degree at UC Davis (1966). Working in oil and watercolor, her painting style and subject matter evolved with the years from descriptive realism to linear pictures, and finally an entirely new medium called Magpage. Mrs. Hall was a resident of Oakland in the 1980s and died in Cedar Ridge, CA on June 23, 2001.
Exhibitions: Iowa State Fair, 1926; California State Fair, 1937; GGIE, 1939; Paul Elder Gallery (SF), 1939 (solo); NMAA, 1941; SFMA, 1942 (solo); De Young Museum, 1944 (solo); California WC Society, 1945-53; UC Davis, 1946, 1965 (solos); Kingsley Art Club (Sacramento), 1965.
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