Allen Porter, Filmstrips, Photogram vintage gelatin silver print 1947
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Allen Porter, Filmstrips, Photogram vintage gelatin silver print 1947
ALLEN PORTER (b.1926) USA
Filmstrips 1947
Photogram vintage gelatin silver print
Size: (unframed): H: 11” x W: 14”
Size: (frame): H: 20” x W: 23”
After attending art programs at the Art Institute of Chicago and the Chicago Academy of Fine Arts, Porter enrolled at the ID upon his return from military service in WWII. His course of study included graphic design and photography. His photograms were produced while working with famed ID photography instructors Frank Levstik and Ferenc Berko. Shortly after leaving the ID in 1949, Porter established a design office in Los Angeles during the height of the California modern design movement. He incorporated his innovative light work into design projects for important clients like Gruen Lighting and Carroll Sagar & Associates.
Wolfgang Gessl / Scandinavian Modern Sterling silver teapot with arching handle 1990
WOLFGANG GESSL (b. 1949) Austria / Sweden
Teapot 1990
Hand wrought and hand hammered spherical silver teapot with cylindrical handle and spout elements, maple and padouk wood layered arching handle
This is No. 2 out of the edition of 3 models.
Marks: Wolfgang Gessl (script impressed signature), 2/3, WO.GE (in a rectangle), Swedish assay mark for Stockholm, 925 (silver guarantee in a rectangle), E11 (in a rectangle), LF
Exhibited: Glänsande Geometri, Mettalum, Stockholm, Sweden
Illustrated: Gold and Silversmith Wolfgang Gessl: Exceeding Geometry, Kerstin Wickman, p. 16.
H: 10” x W: 16 ½” x D: 5 ½”
Price: $32,000
Wolfgang Gessl was born in 1949 in Vienna, Austria and trained as a goldsmith with Professor Hans Angerbauer. Upon moving to Sweden, Gessl studied under the eminent silversmith Sigurd Persson at Konstfack, the National University of Art, Craft and Design in Stockholm, Sweden.
Wolfgang Gessl has had fifteen solo exhibitions including shows at The National Museum, Stockholm and The Royal College of Art in London. His metalwork has been widely exhibited in Sweden, Europe and the U.S and his pieces can be found in many private collections throughout the world. He has taught at Konstfack for more than twenty-four years, and continues to live and work in Stockholm.
Paul Haustein Germany Rare Jugendstil enamel and silver inkwell c.1900
PAUL HAUSTEIN (1880-1944) Germany
HERMANN BEHRND (b. 1849) SILBERWARENFABRIK (silver) Dresden, Germany
JAKAB RAPOPORT (enamelist) Budapest, Hungary
Inkwell c. 1900
Multicolored burgundy, purple, blue and green enamel with silver mounts, glass insert
Marks: Moon, crown, 800, HB (Hermann Behrnd mark)
Same model with variant mount illustrated: Deutsche Goldschmiede-Zeitung, n.d. (circa 1903-05), p. 23
For related works and more information see: Art Nouveau in Munich: Masters of Jugendstil, ed. Kathryn Bloom Hiesinger (Philadelphia: Philadelphia Museum of Art, 1988) pp. 67-69; Jugendstil in Dresden, Aufbruch in die Moderne, Gisela Haase et al., exh. cat. (Dresden: Staatliche Kunstsammlungen Dresden; Wolfratshausen: Edition Minerva, 1999).
Linda Lee Johnson, Organic Shaped Sculpted Silver bird bowl Vessel XII c. 2004
LINDA LEE JOHNSON (1944-2018) Washington, DC
Sculpted silver bowl “Vessel XII” c. 2004
Irregular organic shaped lost wax cast silver bowl with an irregular shaped top and one pierced hole (3/4 inch). Approx. silver weight is 80 troy ounces.
Marks: Logo monogram, 5/20, initial monogram
H: 5 1/4″ x W: 8 1/2″ x D: 7 1/4″
At the age of three Linda Lee Johnson was given a handmade Native American bracelet from her father, a naval aviator, and subsequently another every time they crossed the country. By the time she was seven, she had seven bracelets which she never removed. She was an American field service exchange student to Greece in high school. It was here that she developed her love of theater, sculpture and ancient
jewelry. She graduated from the University of California, Berkeley, in English literature and dramatic art and immediately began to study sculpture making.
She was a founding member of the Berkeley Repertory Theatre, and a professional actress for nineteen years with many major roles in New York city and regional theaters around the country and abroad.
She studied jewelry making in New York City 1984-88.
In 1986, she was asked to place her pieces in Tiffany & Co. in all major stores. At the same time she had many featured pieces of jewelry, small sculpture and functional objects in the Museum of Modern Art design store.
Barney’s New York began to represent her in l989, where her jewelry and limited edition decorative art work are still found today.
She lived in Washington DC and the Adirondack Mountains where she continued to craft and sculpt her jewelry and decorative works of art until her passing in 2018.
Thomas F. Barrow, Register Synthesis, Gelatin silver print photogram with applied spray paint, 1978
THOMAS F. BARROW (b. 1938) Kansas City, MO
Register Synthesis Photogram 1978
Gelatin silver print photogram with applied spray paint
Signed: Register Synthesis – 1978 – Thomas F. Barrow (in ink on back)
Exhibited: J.J. Brookings & Co. (San Jose, CA): Thomas F. Barrow: Inventories and Transformations, A Twenty Year Retrospective, Nov. 6 – Dec. 16, 1986. This exhibit occurred simultaneously with the following two museum shows: the San Francisco Museum of Modern Art (Nov. 6, 1986 – Jan 11, 1987) and the Los Angeles County Museum of Art (Feb. 26 – May 10, 1987).
Related photograph illustrated: Aperture: The New Vision: Forty Years of Photography, no. 87 (New York: Aperture Foundation, Inc., 1987), cover image.
Framed size: H: 19 5/8” x W: 23 7/16”
Thomas Barrow, American was born in Kansas City, Missouri. He studied at the Art Institute of Design in Chicago, Illinois and received his M.A. in 1967. At the George Eastman House, Barrow was the Assistant Director from 1971 to 1972 and served as the Associate Director of the University of New Mexico Art Museum from 1973 to 1976. Barrow started teaching photography in 1976 in the Art Department of the University of New Mexico and by 1985 he became the Acting Director of the University Art Museum. His Midwestern academic pedigree includes studying with Aaron Siskind at the Art Institute of Design in Chicago and with filmmaker Jack Ellis at Northwestern University in Evanston, IL. Barrow has received two NEA Photographers Fellowships in 1973 and 1978.
Barrow has produced a series of silver-gelatin photograms and then applied spray paint to the prints. These combine the feeling of a split-toned black and white print and at the same time appear as color-print photograms. He has produced a series of photograms entitled Disjunctive Forms. His images appear as surreal assemblages of various found and created objects superimposed with stencil text. Barrow works in the “academic” tradition—his pictures are deliberately and consistently experimental, highly intellectualized, scholarly in their concerns, and chock-full of references to the work of other artists.
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