György Kepes, Lens Refraction, Gelatin silver print, 1939
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György Kepes, Lens Refraction, Gelatin silver print, 1939
GYÖRGY KEPES (1906-2001) Hungary/USA
Lens Refraction 1939
Signed: 6 (in a circle, on back); Gyorgy Kepes 1939 (in pencil on back)
Illustrated: New Bauhaus, 50 Jahre: Bauhausnachfolge in Chicago (Berlin: Bauhaus-Archiv and Argon Verlag GmbH: 1987), p. 185
Framed size: H: 27 1/8” x W: 22 ¼”
György Kepes was a Hungarian-born painter, designer, educator and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1947 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974.
Donald Deskey was a native of Blue Earth, Minnesota. He studied architecture at the University of California, but did not follow that profession, becoming instead an artist and a pioneer in the field of Industrial design. In Paris he attended the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes, which influenced his approach to design. He established a design consulting firm in New York City, and later the firm of Deskey-Vollmer (in partnership with Phillip Vollmer) which specialized in furniture and textile design. His designs in this era progressed from Art Deco to Streamline Moderne.
He first gained note as a designer when he created window displays for the Franklin Simon Department Store in Manhattan in 1926. In the 1930's, he won the competition to design the interiors for Radio City Music Hall. In the 1940's he started the graphic design firm Donald Deskey Associates and made some of the most recognizable icons of the day. He designed the Crest toothpaste packaging, as well as the Tide bullseye. His company is still in operation in Cincinnati. A collection of his work is held by the Cooper-Hewitt, National Design Museum. He is regarded the American pioneer of industrial design, and contemporary American graphic design.
Thomas F. Barrow, Register Synthesis, Gelatin silver print photogram with applied spray paint, 1978
THOMAS F. BARROW (b. 1938) Kansas City, MO
Register Synthesis Photogram 1978
Gelatin silver print photogram with applied spray paint
Signed: Register Synthesis – 1978 – Thomas F. Barrow (in ink on back)
Exhibited: J.J. Brookings & Co. (San Jose, CA): Thomas F. Barrow: Inventories and Transformations, A Twenty Year Retrospective, Nov. 6 – Dec. 16, 1986. This exhibit occurred simultaneously with the following two museum shows: the San Francisco Museum of Modern Art (Nov. 6, 1986 – Jan 11, 1987) and the Los Angeles County Museum of Art (Feb. 26 – May 10, 1987).
Related photograph illustrated: Aperture: The New Vision: Forty Years of Photography, no. 87 (New York: Aperture Foundation, Inc., 1987), cover image.
Framed size: H: 19 5/8” x W: 23 7/16”
Thomas Barrow, American was born in Kansas City, Missouri. He studied at the Art Institute of Design in Chicago, Illinois and received his M.A. in 1967. At the George Eastman House, Barrow was the Assistant Director from 1971 to 1972 and served as the Associate Director of the University of New Mexico Art Museum from 1973 to 1976. Barrow started teaching photography in 1976 in the Art Department of the University of New Mexico and by 1985 he became the Acting Director of the University Art Museum. His Midwestern academic pedigree includes studying with Aaron Siskind at the Art Institute of Design in Chicago and with filmmaker Jack Ellis at Northwestern University in Evanston, IL. Barrow has received two NEA Photographers Fellowships in 1973 and 1978.
Barrow has produced a series of silver-gelatin photograms and then applied spray paint to the prints. These combine the feeling of a split-toned black and white print and at the same time appear as color-print photograms. He has produced a series of photograms entitled Disjunctive Forms. His images appear as surreal assemblages of various found and created objects superimposed with stencil text. Barrow works in the “academic” tradition—his pictures are deliberately and consistently experimental, highly intellectualized, scholarly in their concerns, and chock-full of references to the work of other artists.
Ane Christensen Contemporary British Sterling Silver Bowl 1999
ANE CHRISTENSEN (b.1972) born in Copenhagen, Denmark/ based in London, UK
Bowl 1999
Sterling silver
Marks: AKC, 925, Z, British hallmarks
H: 2 ½” x L: 12”
Price: $5,950
The starting point for all of metalworker Ane Christensen’s tableware is a single sheet of metal. Her aim is to develop a three dimensional object from a flat sheet without adding or removing any elements. Japanese paper packaging influences Ane’s work, but a more important influence is the half finished or half demolished structures of building sites that she says can hold unexpected sculptural qualities.
Ane graduated from the Royal College of Art and has since been involved in exhibitions in London, Denmark and Copenhagen, including more recently at Collect, V&A.
Ane makes pieces in a variety of metals including silver, stainless steel and powder coated copper.
Linda Lee Johnson, Organic Shaped Sculpted Silver bird bowl Vessel XII c. 2004
LINDA LEE JOHNSON (1944-2018) Washington, DC
Sculpted silver bowl “Vessel XII” c. 2004
Irregular organic shaped lost wax cast silver bowl with an irregular shaped top and one pierced hole (3/4 inch). Approx. silver weight is 80 troy ounces.
Marks: Logo monogram, 5/20, initial monogram
H: 5 1/4″ x W: 8 1/2″ x D: 7 1/4″
At the age of three Linda Lee Johnson was given a handmade Native American bracelet from her father, a naval aviator, and subsequently another every time they crossed the country. By the time she was seven, she had seven bracelets which she never removed. She was an American field service exchange student to Greece in high school. It was here that she developed her love of theater, sculpture and ancient
jewelry. She graduated from the University of California, Berkeley, in English literature and dramatic art and immediately began to study sculpture making.
She was a founding member of the Berkeley Repertory Theatre, and a professional actress for nineteen years with many major roles in New York city and regional theaters around the country and abroad.
She studied jewelry making in New York City 1984-88.
In 1986, she was asked to place her pieces in Tiffany & Co. in all major stores. At the same time she had many featured pieces of jewelry, small sculpture and functional objects in the Museum of Modern Art design store.
Barney’s New York began to represent her in l989, where her jewelry and limited edition decorative art work are still found today.
She lived in Washington DC and the Adirondack Mountains where she continued to craft and sculpt her jewelry and decorative works of art until her passing in 2018.
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