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  Laure Albin-Guillot, “Micrographie Decorative” 1931

  LAURE ALBIN-GUILLOT (1879-1962) France
  Micrographie Decorative 1931
  Preface by M. Paul Leon, 20 photogravure plates in a variety of inks and papers, including silver and gold foil, all tipped-in and matted, text in French, limited to 300 numbered copies, folio, spiral-bound bds.
  Published by Draeger Freres, Paris.

  Micrographie Décorative was created as a tribute to Laure's husband after his death.

  Dimensions:
  Book: H: 16 ¾” x W: 15” x D: 1 3/8”
  Custom leather box 2008: H: 19” x W: 16 5/8” x D: 2 5/8”
  Custom silk slipcase: H: 20 1/8” x W: 17 ¼” x D: 4”

  Albin-Guillot, Laure (née Meffredi; 1879-1962), French photographer who became interested in photography soon after her marriage in 1897 to the physician/scientist Dr Albin Guillot. At first, her husband's circle of friends, which included architects, writers, and politicians, provided her with portrait subjects. During the 1920s and 1930s she was engaged by the design precepts of the New Vision, and produced more sharply focused close-ups of objects for clients like Bon Marché and Renault. At the same time, she continued to create soft-focus pictorialist nudes that appeared in artistic photography journals and as illustrations in volumes of poetry. Many of her images were exhibited during the 1920s and reproduced in Arts et métiers graphiques.

At a time when many photographers were indifferent to the quality of prints intended for reproduction, Albin-Guillot sought to invest hers with artistry and individuality. Engrossed by her husband's lifelong research in micrography, in 1931, in collaboration with Pierre Fresson, she published in his memory a volume of 24 photomicrographs of crystals, exquisitely printed on various coloured and metallic papers. Later, she and Fresson also collaborated on similar works, which were used as decoration on the liner Normandie.

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  Jan et Joel Martel / Primavera French Art Deco Courting Fantail Pigeon Sculptures c.1930

  JAN ET JOËL MARTEL (1896-1966)  France
  PRIMAVERA  Paris

  Pair of courting Faintail Pigeon Sculptures  c.1925-30

  Black glazed earthenware with silver / platinum decorative dot motif.

  Marks: PRIMAVERA FRANCE, 12684

  For related model: The Art Deco Style in Household Objects, Architecture, Scupture, Graphics, Jewelry, Theodore Menten (New York: Dover, 1972), p. 179.

  For more information see: Joël et Jan Martel: sculpteurs 1896-1966, Christophe Vital, et al. (Paris: Gallimard / Electa, 1996), pp. 127-9

  H: 8 1/16” x L: 9” x D at tail: 5 1/4”
  H: 7 1/8” x L: 10” x D at tail: 5 1/4”

  Jan & Joël Martel (the Martel Brothers/Twins, born in Nantes on 5 April 1896, both died in 1966)

  The twin Martel sculptors were among the founding members of Union des Artistes Modernes, and their original works include ornamental sculptures, statues, monuments and fountains displaying characteristics typical of the Art Déco and Cubist periods. The brothers took part in a number of Paris exhibitions including the Salon des Indépendants, Salon d’Automne, Salon des Tuileries and the Exposition des Arts Décoratifs in 1925.  In 1932, they created the Claude Debussy monument which sits on the boulevard Lannes in Paris. Between 1924-1926, Robert Mallet-Stevens designed a studio for the Martel twins at 10 Rue Mallet-Stevens in Paris’ 16th Arrondissement.

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  Archibald Knox / Liberty & Co. Rare Sterling and Opal caviar server 1904

  ARCHIBALD KNOX   (1864-1933)   UK
  LIBERTY & COMPANY   London, UK

  Cymric  tri-handled covered server  1904

  Sterling silver with repoussé Celtic knot motifs and three buttress handles; the handle of the domed lid inset with a jelly opal, cylindrical crystal bowl.

  Marks: No. 5199, Liberty & Co., CYMRIC and Birmingham assay marks for 1904 (all the marks appear both on the underside of the base and on the cover)

  W: 7 1/4″ x D: 7 1/4″ x H: 2″

  Price: $28,000

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  Brassai, “Transmutations 1934-35” 1967

  BRASSAÏ (1899-1984) Austria-Hungary
  “Transmutations 1934-35” 1967
  Published by Lacoste: Galerie Les Contards, France.
  12 gelatin silver prints each flush-mounted to a presentation folder with printed sequential number and title, with colophon contained in a linen covered, velvet lined clamshell folio with gilt lettering on the spine.

  Signed and numbered 32 in ink on the colophon. This work is from an edition of 100. The titles include: I. Femme-fruit; II. Sevillane denudee; III. Odalisque; IV. Femme-mandoline; V. Femme-amphore; VI. Fille de Joie se Deshabillant; VII. Visage mineral; VIII. Tentation de Saint Antoine; IX. Jeune fille revant; X. Offrande; XI. Femme aux voiles; XII. Fete foraine.

   

  Dimensions:

  Book: H: 15 ½” x W: 12” x D: 1 ½”

  Custom leather box: H: 17 ¾” x W: 13 ½” x D: 4 ½”

  Custom silk slipcase: H: 18 ¾” x W: 14 ¼” x D: 6”