Product Description
Mario Ceroli / Arte Povera “Cavallino” Sculptural Artwork 2004

MARIO CEROLI (b. 1938) Italy
“Cavallino” 2004
Brown bottle glass in the shape of a horse with wood composition and framing
Signed: Ceroli
H: 21” x W: 21” x D: 2 3/4″
Price: $30,000
Mario Ceroli has been universally acclaimed at the age of 27, when he was awarded in 1966 wih the Sculpture Prize at the Venice Biennale for his wooden «Cassa Sistina» (a tribute to the Sixtine Chapel). Ceroli has realised important works for several prestigious institutions (such as the equestrian sculpture for the RAI, which has become the national broadcasting channel trademark; the central square, the Church and the theater in Porto Rotondo; a monumental sculpture in FIumicino Airport Rome…), prominent collectors (Agnelli and Barilla among the others), and he has been responsible for the conception of the stage sets of world renowned theaters such as la Fenice-Venice, La Scala-Milan, the Bolchoi-Moscow, the Arenas of Verona and the Opera of Rome in the last thirty years. Since the 1960’s Ceroli’s work has made its mark by using natural wood in particular Russian pinewood, that he assembles with a variety of materials; burnt wood, lead glass, in line with the philosophy of the Arte Povera. In the 1960’s while the artists of Pop Art were reinterpreting the daily life images, Mario Ceroli paid homage to the great classics of the history of art ( Homage to Leonardo da Vinci, Sixtine Chapel, Paolo Uccello, Piero della Francesca, Andrea Mantegna) and reinterpreted his contemporaries like Giorgio De Chirico. The term Arte Povera was used for the first time in September 1967, one year after Mario Ceroli received his prize at the Venice Biennale. One can find nevertheless, the roots of the principal aspects of this movement during the group show that took place at la Tartaruga gallery in Rome in 1965 that included Ceroli, Boetti, Pascali and other artists then all renamed as poveristi.
Mario Ceroli / Arte Povera “Cavallino” Sculptural Artwork 2004
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JAN DE SWART (1908-1987) Netherlands / USA
Peach sculpture c. 1970
Hand carved and formed jelutong wood in a symbolic / erotic form of a peach
For more information see: Jan de Swart: A Day That Becomes a Lifetime, exhibition catalogue (California: Fine Arts Gallery at the San Fernando Valley State College, February 1972); Jan de Swart, Mike McGee and William G. Otton (Laguna Beach, California: Laguna Art Museum, 1986).
H: 7 ½” x D: 4”
Price: $7,500
Constantly seeking and inventing new materials Jan de Swart was a true modernist. He was influenced by artists such as Isamu Noguchi, Harry Bertoia, Charles Eames, and later Sam Maloof and Wendell Castle. Although he had been creating small sculptures since his arrival in California from Holland in 1929, he had not been widely recognized until being introduced to John Entenza, publisher of Arts & Architecture magazine in 1947. Soon thereafter, he was able to create larger works and began collaborating with architects such as Whitney Smith and Victor Gruen on special commissions. His work is in the permanent collection of Los Angeles County Museum of Art, The Smithsonian, and the Ford Foundation. He was honored with the American Institute of Architects Gold Medal for Sculpture in 1965.
GUY DE ROUGEMONT (b. 1935) Paris, France
“Puzzle” sculpture c. 1970
Lacquered PVC in a rounded movable puzzle form with interlocking pieces.
H: 24 1/2″ x L: 26″ x D: 11″ (closed)
H: 24 1/2″ x W: 26″ x D: 11″
Price: $24,000
Guy de Rougemont is a French painter and sculptor and is famous for his use of vibrant geometric motifs. His works are a perfect blend of pop art and minimalism. In 1990, the Musée des Arts Décoratifs in Paris (Museum of Decorative Arts) presented an important retrospective about this major contemporary French artist, member of the prestigious French Académie des Beaux-Arts. ROUGEMONT, Espaces publics et Arts décoratifs, 1965-1990, Musée des Arts décoratifs, Paris, 5/22/1990 – 08/19/1990
Mayo Martin Johnson (b. 1904) USA
“Summit Conference” 1960
Patinated bronze with a verdigris patina in the recessed areas and natural bronze highlights, original wooden plinth / base.
Marks: Red painted museum accession marks
For more information see: American Art, ed. Peter Hastings Falk (Madison, Conn.: Sound View Press, 1985) p. 317.
H: 10 ¼” on plinth
Price: $6,000
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