Product Description
Benin King Oba bronze standing figure, African, Nigeria, 20th Century

Benin King Oba bronze standing figure, Nigeria, 20th Century
Lost wax cast bronze with a verdigris patina and a desert sand surface highlighting a rich brown patina.
H: 15″ x D: 4 1/2″ x W: 4 1/2″
The art of Benin is the product of an urban royal court, and is meant to symbolize and to extol the power, mystique, grandeur, continuity, and endurance of the ruling dynasty and its governing institutions. From the 14th century until its fall in 1897, Benin was ruled by the Oba, a divine ruler at the head of the political system of titled chiefs. Under royal support, a number of craftsman’s guilds produced bronze, brass, and wood sculptures and embroidered cloth, all of which have become prized by museums and collectors.
Benin King Oba bronze standing figure, African, Nigeria, 20th Century
Mayo Martin Johnson (b. 1904) USA
“Summit Conference” 1960
Patinated bronze with a verdigris patina in the recessed areas and natural bronze highlights, original wooden plinth / base.
Marks: Red painted museum accession marks
For more information see: American Art, ed. Peter Hastings Falk (Madison, Conn.: Sound View Press, 1985) p. 317.
H: 10 ¼” on plinth
Price: $6,000
CHARLES-MAURICE FAVRE-BERTIN (1887-1961) FRANCE
Frog bookends c. 1925
Patinated brown with green highlights cast bronze, black Portoro marble plinth bases
Marks: M.BERTIN, MADE IN FRANCE
H: 5″
Franz Xaver Bergman (1861–1936) (attr.) Vienna, Austria.
Bull pen wipe c. 1900
Cold painted bronze, boar’s hair bristles, horn.
For information see: Art Bronzes, Mich. Forrest (Schiffer, 1988).
H: 5 1/4” x L: 11”
Franz Xaver Bergman (1861–1936) was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronze Oriental, erotic and animal figures, the latter often humanized or whimsical, humorous objects d’art.
A well-known anamalier at the turn-of-the century, the sculptor Franz Bergman created a number of small bronzes in a variety of subject matter. Other figurative works were informed by the Jugendstil/Art Nouveau style and the European taste for the exotic as is found in his figures of rug merchants and camels. His animal sculptures, however, capture the Viennese tradition of naturalistic bronzes. The quality of the bronze casting shows tremendous detail, which was carefully brought out through the applied patination process known as cold painting.