Product Description
Bonnie Maclean, Eric Burdon & The Animals, Mother Earth, Hour Glass, Holy See at the Fillmore, October 19-21, 1967, 1st edition
BONNIE MACLEAN USA
Eric Burdon & The Animals, Mother Earth, Hour Glass, Holy See at the Fillmore October 19-21, 1967
Marked: B. MacLean © Bill Graham 1967 #89
H: 21” x W: 14”
*** An example of this poster is in the permanent collection of the Museum of Modern Art in New York.
By 1967, Eric Burdon took the Animals into a harder, more psychedelic sound than the one listeners recognized from the band’s earlier incarnation. Burdon would later take this style even further when he teamed up with an obscure Los Angeles band known as War. The poster was printed only once before the concert
Bonnie Maclean, Eric Burdon & The Animals, Mother Earth, Hour Glass, Holy See at the Fillmore, October 19-21, 1967, 1st edition
ALYSSA MONKS (b.1977) USA
Push 2006
Oil on canvas
Signed: Alyssa Monks 2006 (on lower back of canvas)
Exhibited: DFN Gallery, New York 2006
Illustrated: American Art Collector, May 2006, p. 155
H: 30” x W: 56”
“Push” is somewhat of a response to the long tradition of bathtub paintings where a nude woman is displayed. However, the figure is me, the painter, so that the subject is also the artist, juxtaposing the objectification of women in that tradition. Also, the figure wears a black negligee and red lipstick, white makeup gently drips down the cheek, closing the door on naturalism.
At the New York Academy of Art, Alyssa Monks studied with Vincent Desiderio, Wade Schuman, Brenda Zlamany, John Jacobsmeyer, Harvey Citron, Deane Keller, Edward Schmidt, Steven Assael, Lisa Bartolozzi, Patrick Connors, Peter Cox, Jon DeMartin, Leonid Lerman, and Hong Nian Zhang. Alyssa’s sensibility of paint and color allows one to be seduced into the illusion of each image. Striving for anatomical and realistic accuracy, it is her intention to elicit a serious confrontation. The work requires attention to detail and a slow and rich execution. It is this artist’s concern to visually relate the contemporary human experience with sensitivity, empathy, and integrity.
S O G A T A New York, NY
“Harlem: Concert” 1931
Watercolor and pencil on paper
Signed: SOGATA · HARLEM 1931 (in pencil, lower left corner of image); HARLEM: CONCERT. (in pencil beneath image on left)
For contextual history and similar art see: Rhapsodies in black : art of the Harlem Renaissance, (Berkeley: University of California Press, 1997); Harlem Renaissance Artists. Jordan, Denise (Chicago: Heinemann Library, 2003).
Paper H: 14 7/8″ x W: 10 7/8″
Image H: 11″ x W: 7 1/2″
Frame H: 19 1/4” x W: 16”
*This SOGATA New York Watercolor and pencil on paper has been gifted to The Wolfsonian – FIU, Miami Beach, FL.