Edward Spencer/Artificers’ Guild (attr.) British Arts & Crafts wrought iron candlesticks c. 1910
Edward Spencer attr. (1872-1938) UK
Artificer’s Guild (1901-42) UK
Pair of candlesticks circa 1910.
Handwrought iron with a squared central support terminating in a attenuated vine like wrap.
H: 10 1/2″ x Dia: 5 1/2″
The Artificers’ Guild Ltd was founded in 1901 by the metalwork and enameler Nelson Dawson (1859-1942). It was one of the few guilds inspired by the Arts and Crafts movement to enjoy real commercial success, and remained in operation until 1938. It was bought out in 1903 by the Birmingham entrepreneur Montague Fordham and established on a more commercial footing, producing domestic metalwork, church plate and furnishings, presentation plate and jewelry.
Fordham promoted Edward Spencer (1873-1938), previously Dawson’s principal designer, to be Director of the Guild’s workshop in Hammersmith. The Guild also had a showroom originally located just off Regent Street. Spencer died in 1938, shortly after the firm was wound up. During its existence, the Guild operated as a substantial business, employing over 40 staff at its peak, including a large number of skilled craftsmen, many of whom would have been trained in the Guild’s workshop. Although unacknowledged for much of the 20th century, the Guild is now recognized as an important producer of high quality metalwork and jewelry during this period.
Jan de Swart hand carved Zebra wood Mystery box c. 1970
JAN DE SWART (1908-1987) Netherlands / USA
Mystery box c. 1970
Hand carved and assembled box form with a curiosity element of a large turquoise cabochon with raw hide wraps underneath the lid.
For more information see: Jan de Swart: A Day That Becomes a Lifetime, exhibition catalogue (California: Fine Arts Gallery at the San Fernando Valley State College, February 1972); Jan de Swart, Mike McGee and William G. Otton (Laguna Beach, California: Laguna Art Museum, 1986).
W: 16 1/2″ x H: 4 1/2″ x D: 5″
Price: $4,700
Constantly seeking and inventing new materials Jan de Swart was a true modernist. He was influenced by artists such as Isamu Noguchi, Harry Bertoia, Charles Eames, and later Sam Maloof and Wendell Castle. Although he had been creating small sculptures since his arrival in California from Holland in 1929, he had not been widely recognized until being introduced to John Entenza, publisher of Arts & Architecture magazine in 1947. Soon thereafter, he was able to create larger works and began collaborating with architects such as Whitney Smith and Victor Gruen on special commissions. His work is in the permanent collection of Los Angeles County Museum of Art, The Smithsonian, and the Ford Foundation. He was honored with the American Institute of Architects Gold Medal for Sculpture in 1965.
@hd_jewels