Eugene Schopin French Renaissance Revival Style Majolica Wall Shelf c.1872
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Eugene Schopin, French Renaissance Revival Style Majolica Wall Shelf c.1872
Eugene Schopin (1831-1893) Montigny-sur-Loing, France.
Renaissance-Revival style Majolica wall shelf, circa 1872.
Hand modeled and cast ceramic with highly stylized caryatids and floral details glazed with rich cobalt blue, green, gold and cream colored glazes.
Marks: M-S-L (Montigny-sur-Loing), RA.
H: 8 ½” x W: 14” x D: 6 ¾”.
Eugene Schopin founded his ceramic factory in Montigny-sur-Loing in 1872. Painters like Jean-Baptiste Corot, Eugène Thirion (1839-1910), Adrien Schulz (1851-1931), Numa Gillet (1868-1940) and Lucien Cahen-Michel (1888-1980) were attracted to this area by the beauty of the landscape and light. Eugene Schopin collaborated with these artists to create a range of models inspired by Impressionism and decorated according to the new demands of the public.
Richly patinated handwrought boule vase with a double large triangle silver overlay motif, square palm wood attached base
For more information see: Art et Décoration Revue Mensuelle D’Art Moderne, Tome XLVII. (Paris: Librairie Centrale Des Beaux-Arts) p.217; Silver of a New Era: International Highlights of Precious Metalwork from 1880 to 1940, (Rotterdam: Museum Boymans van-Beuningen, 1992) p.68, cat.no. 61; La Dinanderie Française 1900-1950, Dominique Forest and Marie-Cécile Forest (Paris: Les Éditions de l’Amateur, 1995) p.231-233.
Franz Xaver Bergman Art Nouveau “Frog” pen wipe c. 1905-1910
FRANZ XAVER BERGMAN (1861-1936) Austria
“Frog” pen wipe c. 1905-1910
Cold-painted bronze, boar’s hair bristles
For information see: Art Bronzes, Mich. Forrest (Schiffer, 1988).
L: 3 1/2″ x W: 3 1/2″ x H: 2″
Price: $1,675
A well-known animalier at the turn-of-the century, the sculptor Franz Bergman created a number of small bronzes in a variety of subject matter. Other figurative works were informed by the Jugendstil / Art Nouveau style and the European taste for the exotic as is found in his figures of rug merchants and camels. His animal sculptures, however, capture the Viennese tradition of naturalistic bronzes. The quality of the bronze casting shows tremendous detail, which was carefully brought out through the applied patination process known as cold painting.
Jean Despres, French Art Deco Modernist Covered Centerpiece c. 1940
Jean Despres (1889-1980) France.
Modernist covered centerpiece, circa 1940.
Hand-wrought and hand-hammered silver plate.
Marks: J. Despres (script incised signature on the edge on one handle),
JD French Jean Despres touchmark (2x).
For related works see: Jean Després: Maestro Orafo Tra Art Déco e Avanguardie, Melissa Gabardi (Milano: IDEA Books, 1999) Metallkunst: Kunst vom Jugendstil zur Moderne (1889-1939) Band IV, Karl H. Brohan (Berlin: Brohan-Museum, 1990); Silver of a New Era: International Highlights of Precious Metalwork from 1880 to 1940 (Rotterdam: Museum Boymans van-Beuningen, 1992)
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