Louis C. Tiffany / Tiffany Studios Dogwood Blossom table lamp c. 1906
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Louis C. Tiffany / Tiffany Studios Dogwood Blossom table lamp c. 1906
LOUIS C. TIFFANY (1848-1933) USA
TIFFANY STUDIOS New York
Dogwood Blossom table lamp c.1906
Stained glass shade in shades of pink, white, gold and green glass with rich brown/green patinated leading and a matching base with a rich brown/green patina.
Signed: TIFFANY STUDIOS NEW YORK (impressed bronze tag on shade); TIFFANY STUDIOS NEW YORK, 2588-1, Tiffany Glass & Decorating Company cipher (impressed on base)
Related model illustrated: Tiffany at Auction, Alastair Duncan (New York: Rizzoli, 1981), p. 98, illustration 268
Friedrich Gornik Bronze “Pelican” Art Nouveau Vide Poche c.1910
Friedrich Gornik (1877-1943) Austria.
“Pelicans” vide poche c. 1910.
Bronze with a natural gold patina of two pelicans on a rock, one seated and the other eating fish.
Marks: F Gornik and monogram.
For more information on Friedrich Gornik see: Der Österreichische Werkbund, Astrid Gmeiner & Gottfried Pirhofer (Salzburg & Wien: Residenz Verlag,1985) p. 228; Österreichische Keramik des Jugendstils, Waltraud Neuwirth (Munich: Prestel-Verlag, 1974) p. 156.
Rozenburg Pottery Holland, W.P. Hartgring Art Nouveau Mantle Clock, 1904
W. P. HARTGRING
ROZENBURG POTTERY The Hague, The Netherlands
Blackbird mantle clock 1904
Handpainted earthenware with exotic foliage and a bird, porcelain face, gilt bronze surround, original clock mechanism.
Marks: H (artist’s monogram) 534, Rozenburg den Haag trademark, date mark symbol for 1904
For more information see: Art et Décoration, vol. 8 (1900) 193, illus. p. 189 (A. Sandier, La ceramique à l’Exposition); Kunst und Kunsthandwerk, vol. 3. (1900) 395, illus. p. 392; Art et Décoration, vol. 9 (1901) 56 Abb. S. 54 (A. Sandier, La Ceramique à l’Exposition II); Der Moderne Stil, Julius Hoffmann, Vol. 3, (1901) Taf. 53.; La Kunstgewerbeblatt Neue Folge, Vol. 12. (1901) p. 95, Abb. S. 82,89; “The International Exhibition of Modern Decorative Art at Turin – The Dutch Section,” Enrico Thovez in The Studio, vol. 26 (1902), pp. 204-6; Kunst und Kunsthandwerk, Vol. 7 (1904), p. 568, Abb. S. 574-5, (K. Ruge, Kunst und Kunstgewerbe auf der Weltausstellung zu St. Louis); Art et Décoration, vol. 17 (1905) p.86 Abb. S. 77, 88 (G. Mourey, L’Art Decoratif Hollandais); Sprechsaal, Vol. 38, (1905) p. 517 (W.H. Zimmer, Die Weltausstellung in St. Louis; Rozenburg, Monographie einer Manufaktur 1883-1917, Marjan Boot et al. (Munich: Verlag Künst & Antiquitäten, 1984); Sammlung Bröhan: Kunsthandwerk 1-Jugendstil, Werkbund, Art Deco, Glas, Holz, Keramik, (Berlin: Karl H. Brohan, 1976) p. 367-380.
Edmond Lachenal French Art Nouveau Green glazed pitcher / vase form c. 1900
EDMOND LACHENAL (1855-1930) Paris, France
Green glazed pitcher / vase form c. 1900
Marks: E LACHENAL (impressed and glazed in a rectangle on base)
For information on Edmond Lachenal see:”Edmond Lachenal”, Fritz Minkus, Kunst und Kunsthandwerk, IV (1901) pp.390-98; La Céramique Art Nouveau, Edgar Pelichet and Michèle Duperrex (Lausanne: Les Éditions du Grand-Pont, Switzerland, 1976) pp. 66,71,74,78,83,112,115; “l’Atelier Lachenal à la galerie Georges Petit “ in Les Echoes d’Art” (1933), p. Vll; Art Nouveau: Belgium & France, exh. cat. Yvonne Brunhammer et al. (Houston, TX: Institute for the the Arts, Rice University, 1976), p. 48; Le Japonisme (Paris: Éditions de la Réunion des Musées Nationaux, 1988) cat no. 377, p. 321; Japonisme: the Japanese influence on western art in the 19th and 20th Centuries, Siegfried Wichmann (Parklane: New York, 1980) pp. 339, 349; cat. no. 920.
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