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  György Kepes, Lens Refraction, Gelatin silver print, 1939

  GYÖRGY KEPES (1906-2001) Hungary/USA

  Lens Refraction   1939

  Signed: 6 (in a circle, on back); Gyorgy Kepes 1939 (in pencil on back)

  Illustrated: New Bauhaus, 50 Jahre: Bauhausnachfolge in Chicago (Berlin: Bauhaus-Archiv and Argon Verlag GmbH: 1987), p. 185

  Framed size: H: 27 1/8” x W: 22 ¼”

  György Kepes was a Hungarian-born painter, designer, educator and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1947 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974.

   

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  Mitsukoshi Japan / Early Showa Period Silver Vase c. 1925-30

  MITSUKOSHI   Japan
  EARLY SHOWA PERIOD (1926-1989)  Japan

  Vase  c. 1925-30

  Silver with repoussé blossoms and leaves on a bulbous form with collar

  Marks: Mitsukoshi (Japanese characters)

  H: 6” x D: 9 1/2”

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  Franz Boeres / Theodor Fahrner, Jugendstil / Modernist waist clasp, silver and enamel, signed, Exhibited 1904 St. Louis Exhibition

  Clasp illustrated: Deutsche Kunst und Dekoration, Band XIV, April 1904-September 1904, p. 506 (see image attached)

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  Mitzi Otten-Friedmann / Wiener Werkstaette reverse painted glass and silver brooch, signed c. 1915

  MITZI OTTEN-FRIEDMANN (1884-1955) Austria

  WIENER WERKSTÄTTE (1903-1932)

  Brooch   c. 1915

  Reverse-painted glass depicting a couple set in a silver frame / back

  Marks: M. OTTEN-FRIEDMANN on the front (right), the reverse stamped: WW, Vienna assay mark for 900 silver

  D: 2 3/8”

  Rosalia Marie Friedmann-Otten (“Mitzi”) * November 28, 1884 Vienna, † May 5, 1955 New York, NY

  Student at the School of Applied Arts in Vienna (with Oskar Strnad), Friedmann-Otten participated in numerous exhibitions (including art shows in 1908, 1920; Neukunstgruppe 1909; German Women’s Art in 1925; Werkbundausstellung 1930). Member of the Austrian Werkbund, the Wiener Werkstätte and the Neukunstgruppe. One of the most versatile artists (commercial art, metalwork, jewelry, fashion, starting from 1920 mainly enamel works, including large-scale email pictures), Friedmann-Otten had to flee in 1938 to the United States.