Product Description
Andrea Branzi “Cucus” chair c.1985

Andrea Branzi (1938 – ) Zabro, Italy.
“Cucus” chair c.1985
Lacquered wood, tree branches
Illustrated: Domestic Animals: The Neoprimative Style Andrea and Nicoletta Branzi, (London, 1987) n.p.; Designed by Architects in the 1980s, Julie Capella and Quim Larrea, Barcelona, 1987, p. 37; Anne Bony, Paris Les années 80, 1995, p. 520; Charlotte and Peter Fiell, 1000 Chairs, Cologne, 2000, p. 588
H: 42 3/4″ x W: 19 3/4″ x D: 24″
Price: $19,000
The “Cucus” chair was part of the “Domestic Animals” series
designed in 1985/86 by Andrea Branzi for Zabro.
Andrea Branzi's “Domestic Animals” series was designed in 1985 and 1986 for the Italian firm Zabro. Designs were later also manufactured by Zanotta. Andrea Branzi created “Domestic Animals” in collaboration with Nicoletta Branzi, who produced limited edition art clothing for this series. The “Neoprimitive” style in which this collection has been rendered utilizes natural materials such as sticks to create an object that brings archetypal symbols into the home to produce emotional effects. These objects combine technology and nature and the symbols and codes that these entail demonstrating that “a hybrid love between different creatures is possible.” (Branzi, Domestic Animals, 1987, n.p.) With these objects Branzi aims to “domesticate” technological inventions so as to make them a positive presence in man's life.
“The difference between a domestic animal and a trained (or tamed) one lies in the fact that the latter is the outcome of an unnatural and violent attitude, while the domestic animal establishes the dream of a loving relationship with man.” (Branzi, Domestic Animals, 1987, n.p.)
Andrea Branzi, architect and designer, born in Florence in 1938, where he graduated in 1967, lives and works in Milano. From 1964 to 1974 he was a partner of Archizoom Associati, first vanguard group internationally known, whose projects are preserved at Centro Studi e Archivio della Comunicazione in Parma and at Centre Georges Pompidou in Paris.
Since 1967 he works in the fields of industrial and research design, architecture, urban planning, education and cultural promotion.He is Professor at the Third Faculty of Architecture and Industrial Design of Politecnico di Milano.
Andrea Branzi “Cucus” chair c.1985
You must be logged in to post a comment.
In the Style of JEAN-MICHEL FRANK (1895 – 1941) France
Pair of “Rodo” chairs 20th Century
Light ceruse oak with red Hermès sueded leather
For more information see: Jean-Michel Frank: The Strange and Subtle Luxury of the Parisian Haute-Monde in the Art Deco period, P.E. Martin-Vivier (Paris, 2006)
H: 32 1/2″
ALDO TURA Italy
Coffee table with furled edges c. 1950
Vellum-covered birch with mahogany lacquered cherry legs
Illustrated: Mid-Century Modern, Furniture of the 1950s, Cara Greenberg
(New York: Harmony Books, 1984) p. 160.
H: 18 1/2” x D: 21” x 37”
Price: $14,500
Humberto Campana (1953 – ) Brazil
Fernando Campana (1961 – ) Brazil
Zig Zag Screen, 2001
Circular iron frame with electrostatic silver painted surface, translucent PVC hose stretched in a web pattern.
Illustrated: Campanas, Humberto and Fernando Campana (Sao Paulo: Bookmark 2003) p. 240; Mood River, February 3 – June 26, 2002, exh. cat. Jeffrey Kipnis and Annetta Massie (Ohio: Wexner Center, 2002)
H: 78” x D: 69”
Price: $11,500
JAN ET JOËL MARTEL (1896-1966) France
PRIMAVERA Paris
Pair of courting Faintail Pigeon Sculptures c.1925-30
Black glazed earthenware with silver / platinum decorative dot motif.
Marks: PRIMAVERA FRANCE, 12684
For related model: The Art Deco Style in Household Objects, Architecture, Scupture, Graphics, Jewelry, Theodore Menten (New York: Dover, 1972), p. 179.
For more information see: Joël et Jan Martel: sculpteurs 1896-1966, Christophe Vital, et al. (Paris: Gallimard / Electa, 1996), pp. 127-9
H: 8 1/16” x L: 9” x D at tail: 5 1/4”
H: 7 1/8” x L: 10” x D at tail: 5 1/4”
Jan & Joël Martel (the Martel Brothers/Twins, born in Nantes on 5 April 1896, both died in 1966)
The twin Martel sculptors were among the founding members of Union des Artistes Modernes, and their original works include ornamental sculptures, statues, monuments and fountains displaying characteristics typical of the Art Déco and Cubist periods. The brothers took part in a number of Paris exhibitions including the Salon des Indépendants, Salon d’Automne, Salon des Tuileries and the Exposition des Arts Décoratifs in 1925. In 1932, they created the Claude Debussy monument which sits on the boulevard Lannes in Paris. Between 1924-1926, Robert Mallet-Stevens designed a studio for the Martel twins at 10 Rue Mallet-Stevens in Paris’ 16th Arrondissement.
Reviews
There are no reviews yet, would you like to submit yours?