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  Archibald Knox / Liberty & Co. / James Powell & Sons Serving dish c.1902-1905

  ARCHIBALD KNOX (1864-1933) UK
  LIBERTY & CO. London
  JAMES POWELL & SONS . WHITEFRIARS, UK

  Serving dish c. 1902-1905

  Pewter with floral entrelac in bas-relief and Powell green glass insert

  Marks: 0163 (Tudric number), English Pewter, CONNELL 83 Cheapside London (retailer)

  Illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) p 97.

  Related models illustrated: Archibald Knox, ed. Stephen A. Martin (London: Artmedia Press, 2001) p 208.

  H: 2” x Handle to handle W: 7 ¼”
  Spoon length: 6 3/8”

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  Archibald Knox / Liberty & Co. Rare Sterling and Opal caviar server 1904

  ARCHIBALD KNOX   (1864-1933)   UK
  LIBERTY & COMPANY   London, UK

  Cymric  tri-handled covered server  1904

  Sterling silver with repoussé Celtic knot motifs and three buttress handles; the handle of the domed lid inset with a jelly opal, cylindrical crystal bowl.

  Marks: No. 5199, Liberty & Co., CYMRIC and Birmingham assay marks for 1904 (all the marks appear both on the underside of the base and on the cover)

  W: 7 1/4″ x D: 7 1/4″ x H: 2″

  Price: $28,000

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  Nigel Coates, Rare, Early and Iconic Genie stool 1988

  NIGEL COATES  (b. 1949)  England
  BRANSON COATES ARCHITECTURE  London

  “Genie” stool  1988

  Carved and sandblasted solid ash seat on twisted mild steel legs

  Marks: NIGEL COATES  GENIE STOOL
  Illustrated: 1000 chairs, Charlotte & Peter Fiell (Cologne: Taschen Verlag, 1997), p. 615.

  H: 26: x D: 13 1/2″

  Price: $9,500

   

  British architect and designer. He studied at Nottingham University and the Architectural Association, London, where he graduated in 1974 and subsequently taught until 1989. In 1983 he formed the group NATO (Narrative Architecture Today) with a group of former students and began to practice independently; two years later he went into partnership with Doug Branson (b 1951). Coates became known for his fluid and lively graphic style and the overt theatricality of his designs. His proposals for the redevelopment of London, involving sophisticated allegories of popular culture, were shown in two exhibitions: ArkAlbion (1984), with drawings of new development areas such as County Hall and the Isle of Dogs, and Ecstacity (1992), with computer simulations and video clips. In the renovation (1980) of his own flat in London he juxtaposed the original, ornate late 19th-century interior with ‘found’ furniture and decorative objects. The publication of this project brought Coates to the attention of Japanese clients who were seeking fashionable Western designers, and he carried out several projects in Japan that became increasingly theatrical: in Tokyo the Metropole Restaurant (1985) evokes a European café, while the Parco Café Bongo (1986) juxtaposes classical English furniture with an imitation aeroplane wing mounted on the ceiling; and the Arca di Noè (1988), Sapporo, is an eclectic mixture of classical motifs and a concrete boat. Coates’s radical approach was dissipated in later British works, such as a series of London shops: one for Katharine Hamnett in Sloane Street (1988) has a shop front formed of aquaria, and one for Jigsaw in Knightsbridge (1992) has its shop front formed of a two-storey copper column in the shape of a phallus. In 1992 he began designing an extension to the Geffrye Museum, London.
  Coates was an influential teacher at the Architectural Association from 78- 86, and has lectured extensively abroad. In 1995 he was appointed Professor of Architectural Design at the Royal College of Art and now divides his time equally between the college and his office. Nigel Coates furniture is represented in the Modern Furniture Collection of the Victoria & Albert Museum, London.

  “I go for architecture that overlays and enhances. By blending observation and wit with reason, I want my work to generate a sense of the unexpected, and the seemingly spontaneous.”

   

   

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  Jan et Joel Martel / Primavera French Art Deco Courting Fantail Pigeon Sculptures c.1930

  JAN ET JOËL MARTEL (1896-1966)  France
  PRIMAVERA  Paris

  Pair of courting Faintail Pigeon Sculptures  c.1925-30

  Black glazed earthenware with silver / platinum decorative dot motif.

  Marks: PRIMAVERA FRANCE, 12684

  For related model: The Art Deco Style in Household Objects, Architecture, Scupture, Graphics, Jewelry, Theodore Menten (New York: Dover, 1972), p. 179.

  For more information see: Joël et Jan Martel: sculpteurs 1896-1966, Christophe Vital, et al. (Paris: Gallimard / Electa, 1996), pp. 127-9

  H: 8 1/16” x L: 9” x D at tail: 5 1/4”
  H: 7 1/8” x L: 10” x D at tail: 5 1/4”

  Jan & Joël Martel (the Martel Brothers/Twins, born in Nantes on 5 April 1896, both died in 1966)

  The twin Martel sculptors were among the founding members of Union des Artistes Modernes, and their original works include ornamental sculptures, statues, monuments and fountains displaying characteristics typical of the Art Déco and Cubist periods. The brothers took part in a number of Paris exhibitions including the Salon des Indépendants, Salon d’Automne, Salon des Tuileries and the Exposition des Arts Décoratifs in 1925.  In 1932, they created the Claude Debussy monument which sits on the boulevard Lannes in Paris. Between 1924-1926, Robert Mallet-Stevens designed a studio for the Martel twins at 10 Rue Mallet-Stevens in Paris’ 16th Arrondissement.