Italian Design "Pop-Art" Oversized "Anywhere" Lamp c. 1960’s-1970’s
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Italian Design “Pop-Art” Oversized “Anywhere” Lamp c. 1960’s-1970’s
ITALIAN DESIGN / POP ART
“Oversized “anywhere” lamp circa 1960’s-1970’s.
Real blown glass bulb with a yellow metal “protector” paying homage to the classic “anywhere” work light. It is interesting to note that at a later date Ingo Maurer who designed the famous “flying bulb lights” used this light as an inspiration and did a paired down simple version utilizing plastic rather than glass for the actual glass bulb part.
Jan et Joel Martel / Primavera French Art Deco Courting Fantail Pigeon Sculptures c.1930
JAN ET JOËL MARTEL (1896-1966) France
PRIMAVERA Paris
Pair of courting Faintail Pigeon Sculptures c.1925-30
Black glazed earthenware with silver / platinum decorative dot motif.
Marks: PRIMAVERA FRANCE, 12684
For related model: The Art Deco Style in Household Objects, Architecture, Scupture, Graphics, Jewelry, Theodore Menten (New York: Dover, 1972), p. 179.
For more information see: Joël et Jan Martel: sculpteurs 1896-1966, Christophe Vital, et al. (Paris: Gallimard / Electa, 1996), pp. 127-9
H: 8 1/16” x L: 9” x D at tail: 5 1/4”
H: 7 1/8” x L: 10” x D at tail: 5 1/4”
Jan & Joël Martel (the Martel Brothers/Twins, born in Nantes on 5 April 1896, both died in 1966)
The twin Martel sculptors were among the founding members of Union des Artistes Modernes, and their original works include ornamental sculptures, statues, monuments and fountains displaying characteristics typical of the Art Déco and Cubist periods. The brothers took part in a number of Paris exhibitions including the Salon des Indépendants, Salon d’Automne, Salon des Tuileries and the Exposition des Arts Décoratifs in 1925. In 1932, they created the Claude Debussy monument which sits on the boulevard Lannes in Paris. Between 1924-1926, Robert Mallet-Stevens designed a studio for the Martel twins at 10 Rue Mallet-Stevens in Paris’ 16th Arrondissement.
Exotic variety of silk and cut silk velvets sewn and sculpted in the form of a spray of various pineapple shapes on a tufted cushion seat and upholstered legs.
Marks: Tolomeo (written on the velvet), Tolomeo script signature (brass plaque)
Exhibited: Fondazioni Cerratelli, Pisa, Italy, Summer 2006
Model illustrated and biographical information on Carla Tolomeo: Il Fogliaccio, July 7th, 2006
For further information see: Carla Tolomeo Mai Sedersi Sugli Allori, Never rest on your laurels 1995-2004, Carla Tolomeo (Milano 2004)
68 Original Pop-Art & Cobra Graphics
Limited edition of 2000 copies, Elephant Folio, 176 pages
Edited by Sam Francis (1923-1994)
Published by E.W. Kornfeld, Bern, Switzerland
Dimensions:
Book: H: 16 3/8” x W: 12”
Custom leather box: H: 18 1/16” x W: 13” x D: 2 7/16”
Custom silk slipcase” H: 19 1/8” x W: 13 7/8” x D: 3 3/16”
Artists that contributed original graphic work illustrating Walasse Ting’s poetry for this volume include: Pierre Alechinsky (5), Karel Appel (5), Enrico Baj (2), Alan Davie (3), Jim Dine (2), Sam Francis (6), Robert Indiana (2), Alfred Jensen (3), Asger Jorn (2), Allan Kaprow, Alfred Leslie (2), Roy Lichtenstein (2 + cover), Joan Mitchell, Claes Oldenburg (3), Mel Ramos (2), Robert Rauschenberg (2), James Rosenquist, Bram Van Velde, Andy Warhol, and Tom Wesselman (2).
Walasse Ting, born in Shanghai, is a self-taught painter, sculptor, graphic artist and poet. Leaving China in 1949 to travel, he reached Paris in 1953 and became acquainted with artists Karel Appel, Asger Jorn and Pierre Alechinsky, members of the avant-garde group known as COBRA. Since 1963, he has lived in New York.
“Ting wanted to publish the most international illustrated book, intended to illustrate his text, uniting tachisme, neo-dadaisme, pop art, and all other artistic movements. The idea was born from global experience, close contact with culture, pseudo-culture, primitive existential worries, urban erotic and eastern wisdom.. It was a Herculean task, for which only a Chinese would have been able to muster the perseverance” – E. W. Kornfeld.
Sori Yanagi / Tendo Co. Ltd. / Japanese Crafts “Butterfly” Stool c.1956
Sori Yanagi (1915-2012), Japan
Tendo Co. Ltd., Japan
Butterfly stool, 1956.
Bleached rosewood veneer on plywood with brass.
H: 15” x W: 16 ½” x D: 12”
Price: $4,900
This model can be found in the collections of the Museum of Modern Art and the Metropolitan Museum in New York.
The Japanese designer Sori Yanagi is best known for his 1956 Butterfly Stool. It is both elegant and utterly simple: two curved pieces of molded plywood are held together through compression and tension by a single brass rod. The stool’s graceful shape recalls a butterfly’s wings, and has also been compared to the form of torii, the traditional Shinto shrine gates. He loved traditional Japanese crafts and was dedicated to the modernist principles of simplicity, practicality and tactility that are associated with Alvar Aalto, Charles and Ray Eames, and Le Corbusier.”
Yanagi, who studied architecture and art at Tokyo’s Academy of Fine Art, was inspired by the work of Le Corbusier and by the designer Charlotte Perriand, with whom he worked in the early 1940s, while she was in Tokyo as the arts and crafts adviser to the Japanese Board of Trade. But perhaps the most indelible influence on Yanagi was that of his father, Soetsu Yanagi, who led the “mingei” movement, which celebrated Japanese folk craft and the beauty of everyday objects, and who founded the Nihon Mingeikan (or Japanese Folk Crafts Museum) in Tokyo. Yanagi fils, who was named director of the museum in 1977, succinctly described his design aesthetic in a 2002 interview in The Japan Times: “I try to create things that we human beings feel are useful in our daily lives. During the process, beauty is born naturally.” Throughout his life, Sori Yanagi was inspired by what he called “anonymous design” — he cited the Jeep and a baseball glove as two examples — and he in turn inspired younger designers, like Naoto Fukasawa, Tom Dixon and Jasper Morrison.
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