French Art Deco/Modernist diamond ring set with 26 round cut diamonds (approx. 6 carats TW) mounted in platinum and further set in an 18k gold four-tier contoured ring mounting, marked, c.1930’s
“Cat’s Eyes” bombe clip earrings, 72 fine and rare color cabochon chrysoberyl “Cat’s Eyes” and 12 interspersed diamonds, all set in 18k gold, marked, c. 1950’s
Weber & Cie, Geneva Switzerland (1842-2017) “Mod” or “Op Art” bracelet that forms a tapered cuff with a repeat circle in a square motif in alternating 18k yellow and white gold sections that are further joined with strapwork and give the visual impression of a woven surface, marked: maker’s mark of AW (A. Weber) intersecting initials in an oval cartouche, 750 (18k gold mark), Swiss Made, 18k, c.1960’s
Boucheron (attr.) large and impressive “Peacock Feather” cuff/bracelet in 18k gold and set with numerous heart shaped cabochon opals as the eyes of the peacock feathers, marked, c.1895
Asian Art Nouveau inspired “Frog on a Lily Pad” ring, 18K white gold with a gunmetal surface, cabochon amethyst petals, a three dimensional frogs pave set with tsavorites and sapphire eyes, diamond details, marked, c. 2005
Seaman Schepps, (1881-1972) Founded 1904, New York “Flower” matched pair of brooch/pendants, each brooch set with a half round of a large pink tourmaline Mughal bead (approx. 122 carats each for a total of 244 carats), each set with seventeen natural baroque pearls (34 count total) encircling each pink tourmaline cabochon and all set in a yellow gold mounting with both a double pin back and a pendant bale on each, marked: 14k, c. 1940
Tapio Wirkkala / Nils Westerback, Pendant Necklace, Lap-gold (18K gold or higher) pendant head with a rigid necklace, marked, 1970
TAPIO WIRKKALA (1915-1985) Finland
NILS WESTERBACK Finland
Pendant Necklace 1970
Lap-gold (18K gold or higher) pendant head with a rigid necklace
Makers: Tapio Wirkkala and Nils Westerback
Marks: 750, three crowns symbols
Model illustrated in: The Art of Jewelry, Graham Hughes (New York: The Viking Press, Inc., 1972), p. 135; Scandinavian Design, Charlotte and Peter Fiell (Köln: TASCHEN, 2002) p. 675; Marianne Aav, Rosa Barovier Mentasti and Gordon Bowyer, et al., Tapio Wirkkala – eye, hand and thought, exh. cat., Museum of Art and Design, Helsinki, 2000, p. 194, fig. 342 and p. 370
American Retro “Leaf” brooches, Burma sapphires (approx. 12+ carats), cabochon rubies (approx. 12+ carats) and baguette and round diamonds all set in 18K gold and platinum, marked, c. 1950
Cartier (attr.) “Bombe” cocktail ring set with a emerald-cut aquamarine (approx. 6 carats TW) 26 round-cut diamonds, 18 baguette diamonds and two triangle-cut diamonds (approx. 6.5 carats TW) all in an elaborate platinum mounting with open platinum wire details, Marked: French “Mask” platinum guarantee mark for remarking old production pieces, c.1950
American Pendant “Knot” earrings set with two natural cabochon sapphires (GIA certificate, approximately 6 carats TW) and further set with 50 round diamonds (approx. 6 carats TW) and 48 baguette, square and tapered diamonds (approx. 7 carats TW) all set in platinum mounts, marked, c.1950
Barrey, Paris, Art Deco “Wheat” clip brooch in 18k gold with fine details of a sheath of wheat, marked: JJB in a diamond poincon (maker’s mark of barrey, 18 rue du mail 75002, Paris), French Eagle’s head mark for 18k gold (2x), c. 1938
Marchak Paris, “Gold Ball” earrings, 9 fluted gold balls with woven rope designed chains in 18K gold, Signed and marked: Marchak, Made in Paris, no. 230494, c. 1935
Jean Schlumberger for Tiffany & Co. “Berry brooch” 18K yellow gold, demantoids and cabochon turquoise, signed, c. 1968
Jean Schlumberger for Tiffany & Co. “Berry brooch” 18K yellow gold set with 40 oval cut demantoid garnets (approx. 9 carats TW /G.I.A. certificate) and 7 small oval cabochon Persian turquoise stones, Signed: Tiffany, Schlumberger, 18K, c. 1968
Illustrated: (“Bejewelled by Tiffany 1837-1987”, Clare Phillips, page 279 (Vintage Tiffany Blue Book 1968-1969, ruby version of this brooch priced at $1,475)
French Art Deco “Heptagon” clip / brooch set with a large fancy cut madeira citrine and 8 baguette madeira citrines all set in 18K gold, signed, c. 1935
French Art Deco “Heptagon” clip / brooch set with a large fancy cut madeira citrine and 8 baguette madeira citrines all set in 18K gold, signed GA in a diamond French touch mark, French Eagle’s head mark for 18k gold, c. 1935
H. Stern, Rio de Janeiro, Brazil highly textured and sculptural tapered bracelet in 18K gold set with 7 oval gem quality amethysts (approx. 14 carats TW) Marked: 750 mark, S (H. Stern mark) in a diamond, c. 1960’s
Giacinto Melillo (attr.) Italian Ancient Revival Medallion 18K gold pendant earrings with white and black enamel and central face motifs, hanging floral details, retailed in Paris, marked, c. 1880
French 19th Century “Gothic Revival” ring set with a very fine square step cut emerald (approx. 2 carats TW) and two European rose cut diamonds (approx. 2 carats TW) all in an openwork 18K yellow gold mount further set with 12 old mine cut diamonds, signed, c.1885
American Art Deco ring (likely by Louis C. Tiffany for Tiffany & Co.) set with a large blue zircon (approx. 64 carats by calculation, 20mm x 20mm x 19mm) set in a fancy platinum mount further set with 14 round cut diamonds, four bullet shaped gold/orange citrines and two kite shaped gold/orange citrines, marked: very deeply stamped letters as a maker’s mark on the inside of the shank, c. 1930
***Top quality gem blue zircons over 10 carats trade at a minimum price of $200 per carat and go up from there depending on the size of the stone and the quality of the color. Blue zircon, the most popular color, is produced by heat treatment of brown zircon. But not all brown zircon will turn blue when heated; only some zircon has the right physical structure for this to occur. This is why most blue zircon comes from certain sources in Cambodia or Burma. Blue zircon is a reasonably hard gem with a Mohs hardness of about 7 to 7.5. Blue zircon has some unique properties that make it very popular with gemstone aficionados. Not only does zircon have outstanding brilliance, but it also has very strong dispersion or fire, the tendency to split white light into the spectral colors. Zircon also has very pronounced birefringence or double refraction, with a wide variance between the two refractive indices. This can be often be observed with the naked eye when you look down through the table of a cut zircon; you will observe facet doubling that makes the facet edges appear blurred.
Edwardian Sugarloaf Fire Opal (approx. 4 carats TW) ring with 32 diamonds set in a milligrain platinum topped 18K yellow gold mounting, marked, c. 1910
Bhutan natural large cabochon emerald ring (approx. 37 carats TW, G.I.A Certificate, indications of clarity enhancement) in 20-22K gold with decorative incised details and a gold beaded bezel, marked, c.1900
French Art Deco Diamond and sapphire ring, Round rose cut diamond (approx. 3 carats) set with sapphires (approx. 1.5 carats TW) in a platinum mount, signed, c. 1930
Italian long chain with 18k gold hammered links and set with 9 count gem quality naturally tumbled turquoise beads, marked: 20 (maker’s assigned number, VR for Verona, 750 for 18k gold, c. 1970’s
Length: 50 inches Width of the turquoise beads: 3/8 of an inch
American Arts & Crafts ring, detailed and scrolling 14K gold mount with stylized leaves and blossoms surrounding a large cabochon amethyst (approx. 22+ carats TW), marked, c. 1915
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