Product Description
Friedrich Gornik Bronze “Pelican” Art Nouveau Vide Poche c.1910

Friedrich Gornik (1877-1943) Austria.
“Pelicans” vide poche c. 1910.
Bronze with a natural gold patina of two pelicans on a rock, one seated and the other eating fish.
Marks: F Gornik and monogram.
For more information on Friedrich Gornik see: Der Österreichische Werkbund, Astrid Gmeiner & Gottfried Pirhofer (Salzburg & Wien: Residenz Verlag,1985) p. 228; Österreichische Keramik des Jugendstils, Waltraud Neuwirth (Munich: Prestel-Verlag, 1974) p. 156.
H: 9″ x W: 6 1/2″ x D: 6″
Friedrich Gornik Bronze “Pelican” Art Nouveau Vide Poche c.1910
Tobei Showa Period (1926-1989) Japan
Richly patinated bronze vase in a spherical form with three buttress elements decorated with a highly stylized woven basketry-type design.
Marks: Japanese characters for Tobei
H: 7″ x Dia: 7 1/4″
FRENCH ART NOUVEAU
JULIEN CAUSSE attr. (1869-1914) Bourges, France
Bronze and frosted glass grape cluster and vine lamp c. 1900
L: 24″ x dia (grape cluster): 7″
Julien Causse was born in Bourges, France and worked from 1890 – 1914. He studied in Paris under Falguiére and exhibited at The Salon des Artists Francais in the 1890s, obtaining honourable mentions in 1882 and 1900 and a third class medal in 1893. He also took part in the exposition Universelle of 1900.
Benin King Oba bronze standing figure, Nigeria, 20th Century
Lost wax cast bronze with a rich brown and black patina with light desert sand patina in some of the recessed areas.
The art of Benin is the product of an urban royal court, and is meant to symbolize and to extol the power, mystique, grandeur, continuity, and endurance of the ruling dynasty and its governing institutions. From the 14th century until its fall in 1897, Benin was ruled by the Oba, a divine ruler at the head of the political system of titled chiefs. Under royal support, a number of craftsman's guilds produced bronze, brass, and wood sculptures and embroidered cloth, all of which have become prized by museums and collectors.
H: 20″ x W: 7 1/2″ x D: 7 1/2″
PAUL FOLLOT Paris, France
LA MAISON MODERNE Paris, France
Art Nouveau waist clasp c.1900
Gilt silver with chased whiplash design set with 19 cabochons of chrysoprase.
Marks: P. FOLLOT, French swan mark (silver standard mark for small objects)
Illustrated: Documents sur l’Art Industriel au XXe Siecle (Paris: Edition de la Moderne) p. 20, plate 5, n. 53-11
PAUL FOLLOT (1877-1941) French
In the Late 1890’s, Follot studied under graphic designer Eugène Grasset at the Ecole Normale d’Enseignement du Dessin in Paris and later succeeded Grasset in that post. From 1901 to 1904, he designed metalwork, jewelry and textiles for La Maison Moderne, art critic Julius Meier-Graefe’s gallery in Paris. He became director of the interior design studio Pomone of the Paris department store Le Bon Marché in 1923, introducing the Art Deco style into many middle-class home.