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  Karl Schmidt / Hagenauer Werkstätte Sterling nude sculpture c. 1965

  KARL SCHMIDT (b. 1948) Vienna
  HAGENAUER WERKSTÄTTE Vienna

  Sculpture  c. 1965

  Handwrought sterling silver repoussé in the form of a nude with blowing hair

  Marks: SCHMIDT WIEN   MADE IN AUSTRIA  925 (silver standard) KS (artist initials)

  For more information see: Metallkunst, Karl H. Bröhan (Berlin: Bröhan Museum, 1990) pp. 200-205; Werkstätte Hagenauer 1898-1956, (Vienna: Österreiches Museum für angewandte Kunst).

  H: 17 1/4″ x W: 12″ x  D: 2 3/4”

  Price: $17,500

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  Mayo Martin Johnson / American Post-War bronze sculpture 1960

  Mayo Martin Johnson (b. 1904) USA

  “Summit Conference”   1960

  Patinated bronze with a verdigris patina in the recessed areas and natural bronze highlights, original wooden plinth / base.

  Marks: Red painted museum accession marks

  For more information see: American Art, ed. Peter Hastings Falk (Madison, Conn.: Sound View Press, 1985) p. 317.

  H:  10 ¼” on plinth

  Price: $6,000

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  Jan de Swart, Handcarved “Peach” Sculpture, c.1970

  JAN DE SWART (1908-1987) Netherlands / USA

  Peach sculpture  c. 1970

  Hand carved and formed jelutong wood in a symbolic / erotic form of a peach

  For more information see: Jan de Swart: A Day That Becomes a Lifetime, exhibition catalogue (California: Fine Arts Gallery at the San Fernando Valley State College, February 1972); Jan de Swart, Mike McGee and William G. Otton (Laguna Beach, California: Laguna Art Museum, 1986).

  H: 7 ½” x D: 4”

  Price: $7,500

  Constantly seeking and inventing new materials Jan de Swart was a true modernist.  He was influenced by artists such as Isamu Noguchi, Harry Bertoia, Charles Eames, and later Sam Maloof and Wendell Castle.  Although he had been creating small sculptures since his arrival in California from Holland in 1929, he had not been widely recognized until being introduced to John Entenza, publisher of Arts & Architecture magazine in 1947.  Soon thereafter, he was able to create larger works and began collaborating with architects such as Whitney Smith and Victor Gruen on special commissions.  His work is in the permanent collection of Los Angeles County Museum of Art, The Smithsonian, and the Ford Foundation.  He was honored with the American Institute of Architects Gold Medal for Sculpture in 1965.

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  Gianni L. Cilfone “After the Rain” Oil on canvas 1928

  GIANNI L. CILFONE (1908-1990) USA

  “After the Rain” 1928

  Oil on canvas, contemporary quarter sawn oak pegged frame with yellow gold filet.

  Signed: Cilfone, 1928 (lower left corner)

  Marks: Illinois Academy of Fine Arts, Second Annual Exhibition 1928, Gianni L. Clifone, 905 South Ashland Boulevard, “After the Rain,” $500 (paper label).

  Exhibited: Illinois Academy of Fine Arts, Second Annual Exhibition 1928, Art Institute of Chicago 1928

  For more information see: Who Was Who in American Art (Madison, Conn.: Sound View Press, 1985) p. 115.

  Canvas: H: 30” x W: 40”

  Framed: H: 38” x W: 48”

  Gianni Cilfone emigrated with his family from San Marco, Italy to Chicago at the age of five. After studying at the Art Institute of Chicago, Cilfone took lessons from Hugh Breckenridge and John F. Carlson. His consistently won many prizes from the Chicago Gallery Association throughout the 1930s and 40s. He exhibited at the Hoosier Salon between 1949 and 1958, at the North Shore Arts Association, at the Association of Chicago Painters and Sculptors, and at the Art Institute of Chicago in 1919 and 1928.