Related Products

• 

  Details

  Guy de Rougemont Puzzle Sculpture c. 1970

  GUY DE ROUGEMONT (b. 1935) Paris, France

  “Puzzle” sculpture c. 1970

  Lacquered PVC in a rounded movable puzzle form with interlocking pieces.

  H: 24 1/2″ x L: 26″ x D: 11″ (closed)

  H: 24 1/2″ x W: 26″ x D: 11″

  Price: $24,000

  Guy de Rougemont is a French painter and sculptor and is famous for his use of vibrant geometric motifs. His works are a perfect blend of pop art and minimalism. In 1990, the Musée des Arts Décoratifs in Paris (Museum of Decorative Arts) presented an important retrospective about this major contemporary French artist, member of the prestigious French Académie des Beaux-Arts. ROUGEMONT, Espaces publics et Arts décoratifs, 1965-1990, Musée des Arts décoratifs, Paris, 5/22/1990 – 08/19/1990

   

• 

  Details

  Andre Vincent Becquerel Arabian Horse bronze sculpture c. 1930

  ANDRE VINCENT BECQUEREL (1893-1981) France

  Arabian Horse sculpture c. 1930

  Bronze with overall rich green/brown patina with intricate sculpting and details, black Belgian marble plinth base

  Signed: A. Becquerel (inscribed in the bronze)

  H: 12” x W: 21” x D: 6”

  Price: $27,500

  Andre Vincent Becquerel was born in St. Andre-Farivilliers. He studied at the l’Ecole des Beaux Arts in Paris under Hector Lemaire and Prosper Lecourtier. He specialized in fine animal sculpture and regularly exhibited at the Salon des Artistes Francais from 1914 to 1922.  Becquerel worked for the Editeur Parisiens Edmond Etling  in Paris and created a monumental sculpture in patinated plaster for the “Pavillon international” at the Exposition Internationale in Paris in 1937.

• 

  Details

  Raymond Barger Post-War Polychrome wood Sculpture c. 1955

  RAYMOND BARGER (1906-2001) USA

  Sculpture c. 1955

  Polychrome contoured wood of interlocking circular forms in white, blue and pink on a bronze base.

  Signed: RB (artist initials), USA, Z0I

  H: 8 1/2” x L: 12 ¾” x D: 8

  Price: $5,800

  Raymond Granville Barger was a sculptor working in metal, plastelin, and bronze among other materials. Barger was educated at Carnegie Institute of Technology and Yale University School of Fine Art. He received a Winchester Fellowship from Yale, and a special fellowship from the American Academy in Rome. Barger moved to California, where he died in 2001.

• 

  Details

  Asprey & Co., Important Cardinal Sculpture gem set with natural rubies, 18K gold and amethyst quartz, signed,1980

  ASPREY & CO. LTD. (founded 1781) London, UK

  Important Natural Ruby Gem Set 18K Gold Cardinal Bird Sculpture   1980

  Finely chased and chiseled 18K yellow and white gold realistically rendered sculpture of a Cardinal bird set with
  85+ carats (approx.) of natural gem quality oval and round cut Burmese rubies (GIA certificate) further heightened with enamel eyes and blackened gold face plumage details, the 18K gold and natural ruby cardinal sets atop a natural Amethyst crystal “mountain rock” with a tooled and gilt (script mark) on the leather under-pad.

  Marks: A & Co. (in a quatrefoil), Crown mark, 750 (gold standard mark) Lion’s head (London assay mark) “F” date mark for 1980, tooled and gilt Asprey (script mark) on the leather under-pad

  Provenance: Privately commissioned by the Sultan of Brunei’s younger brother, Prince Jefri Bolkiah who also later became the owner of Asprey & Co in the 1995. This rare sculptural 18K gold and natural ruby Cardinal was handmade by the finest jewelers and work masters in the workshop of the London Asprey & Co. located above the flagship store at 167 New Bond Street.

  H: 3 ¾” x L: 5 3/4” x W: 1 ½”(Cardinal only)
  H: 6” x W: 6 ¾” x D: 5 ¾” (with Cardinal atop natural Amethyst crystal rock)

  As one might guess, a large part of the animal symbolism of the cardinal comes from the brilliant red color of the males. In fact, its name is derived from the royal red vestments worn by Catholic cardinals. This shock of red, especially against the stark backdrop of winter snow, is a magnificent sight. The male cardinal reminds us passion, warmth and vibrancy is available to us – even under the cloak of Winter’s grey clouds. Interestingly, the more bold and bright his color is, the more successful the cardinal will be at prolonging his lineage. Dull colored male cardinals are less likely to mate successfully than bright colored ones. True to the fire of his color, the crimson cardinal has got some major spunk. He will aggressively defend his territory, and fight attackers with ferocity. Indeed, they have been known to fight ghost males (their reflections) in mirrors for hours on end. Both male and female give us glorious songs. Along with peeps and pips and warbles, the tuned ear can also hear “cheer, cheer, cheer!” Very appropriate to the animal symbolism of cardinals, because they are a delight to both eyes and ears. The cardinal makes a fantastic animal totem. It reminds us to hold ourselves with pride, not ego pride but rather the cardinal asks us to stand a little taller, be a bit more regal and step into our natural confidence as if we were born to lead with grace and nobility. Those who attract the cardinal as their totem are naturally energetic, love life, and happily help others where and when they can!