Louis C. Tiffany / Tiffany Studios Dogwood Blossom table lamp c. 1906 More Information
Louis C. Tiffany / Tiffany Studios Dogwood Blossom table lamp c. 1906
LOUIS C. TIFFANY (1848-1933) USA
TIFFANY STUDIOS New York
Dogwood Blossom table lamp c.1906
Stained glass shade in shades of pink, white, gold and green glass with rich brown/green patinated leading and a matching base with a rich brown/green patina.
Signed: TIFFANY STUDIOS NEW YORK (impressed bronze tag on shade); TIFFANY STUDIOS NEW YORK, 2588-1, Tiffany Glass & Decorating Company cipher (impressed on base)
Related model illustrated: Tiffany at Auction, Alastair Duncan (New York: Rizzoli, 1981), p. 98, illustration 268
Friedrich Gornik Bronze “Pelican” Art Nouveau Vide Poche c.1910
Friedrich Gornik (1877-1943) Austria.
“Pelicans” vide poche c. 1910.
Bronze with a natural gold patina of two pelicans on a rock, one seated and the other eating fish.
Marks: F Gornik and monogram.
For more information on Friedrich Gornik see: Der Österreichische Werkbund, Astrid Gmeiner & Gottfried Pirhofer (Salzburg & Wien: Residenz Verlag,1985) p. 228; Österreichische Keramik des Jugendstils, Waltraud Neuwirth (Munich: Prestel-Verlag, 1974) p. 156.
Sèvres / Genevieve Rault Rare French Art Nouveau grand vase 1907
MLLE GENEVIÈVE RAULT (décor 1907) France
MANUFACTURE NATIONALE DE SÈVRES France
Andromeda branches grand vase 1907
Glazed porcelain with pâte-sur-pâte applications. The multicolored “Andromeda” foliage and branches in shades of pink, salmon, green and taupe on a cream background.
Marks: underglaze green S and 1907 (in triangular cipher), MANUFACTURE RF NATIONALE surrounding DÉCORÉ A SÈVRES 1907, underglaze blue GR (conjoined monogram).
H: 16″ x Dia: 7 1/2″
This example from the Sèvres Manufacture is a tour-de-force of early 20th century porcelain. The graphic Art Nouveau design of the pastel foliage and white blossoms of the Andromeda vase is brought to life thanks to the fine detailing of every individual blossom made with hand-applied pâte-sur-pâte or paste porcelain.
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