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  Tiffany & Co. / Art Nouveau “Frog on a lily pad” covered snuff box 1880

  TIFFANY & CO. New York, NY

  “Frog on a lily pad” cigarette case 1880

  Hand wrought sterling silver with repoussé and chased gold design of a frog sitting on a lily pad with a dragonfly in it’s mouth, “lap over edge” and hand hammered details, gilt interior and spring action to the hinge when the sides are pressed

  Tiffany Archive Illustration: Design for Cigarette Case No. 5804, No. 1019, 249, stamped Tiffany & Co. New York, February 26, 1880
  Model and Archive illustration: Bejewelled by Tiffany 1837-1987 Clare Phillips (New Haven and London: Yale University Press, 2006)
  For more information see: Tiffany Silver, Charles H. Carpenter, Jr. (New York: Dodd, Mead & Company, 1978); The Silver of Tiffany & Co., 1850-1987, Charles H. Carpenter, Jr. and Janet Zapata (Boston: Museum of Fine Arts, 1987).

  Marks: Tiffany & Co., 5804, M, 2540, Sterling-Silver, 1019

  H: 3/4” x W: 2 7/8” x D: 2 1/8”

  The Frog and the Dragonfly
  from The Lost Lagoon
  by Reg Down, 2010

  Once upon a time a dragonfly lived beside a lake high in the mountains. He flitted from bulrush to bulrush – and zipped after mosquitoes. He snapped them out of the air so quickly that no one could ever quite see what he was doing.
  One day, as he was flying across the water, his beautiful wings glistening like rainbows, he came across a frog.
  “Ribbit!” said the frog. “Come here, Mr. Dragonfly. I would like to have a better look at you.”
  But the dragonfly was clever. In fact, he was so clever that his eyes were made up of hundreds of eyes all put together on the top of his head. And each one of those eyes said to him: “That frog wants to eat me!”
  So he landed on top of a bulrush where the frog could not get him, and said, “Yes, Mr. Frog, I am close enough for you. What do you want?”
  “Ribbit! Ribbit!” croaked the frog, “I think you should come closer because my eyes are not very good.”
  So the dragonfly came a little closer. He flitted to a flower floating on the water—but still not close enough for the frog to grab him with his mouth.
  “Yes, Mr. Frog, what do you want?” he asked.
  “Oh, Mr. Dragonfly,” said the frog, “I have an itch on the end of my nose and my legs aren”t long enough to reach it. But your legs are scratchy—they will be able to scratch my itchiness much better that I ever could.”
  The dragonfly found this quite funny. He thought, “That frog wants to eat me! I am sure that frog wants to eat me!” So he flew behind the frog and landed on his back.
  The frog could feel the dragonfly crawling on his back, but he could not turn around to grab him. “Oh, Mr. Dragonfly,” he said, “you have to come closer to my nose. In fact, my lips are getting very itchy—please come closer.”
  So the dragonfly went and sat between the frog”s eyes. Now the frog”s eyes were looking into the dragonfly”s eyes, and the frog saw that the dragonfly had far, far more eyes than he had. So he said, “Oh, Mr. Dragonfly, you are surely much, much more wise than I am. You have so many eyes that you can see the whole world!”
  And the dragonfly replied, “Of course I can see the whole world! I have so many eyes that I am the wisest of all flies!”
  “Well,” said the frog, “I have a little tickle in the bottom of my throat—what is happening there?”
  And the dragonfly looked, and looked, and looked…….and Snap! the frog ate him up.

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  Firmin-Marcelin Michelet French Art Nouveau “Four Seasons” sculpted vase c. 1900

  FIRMIN-MARCELIN MICHELET  Sculptor (1875-1951) France
  GENTIL ET BOURDET  [pottery]

  “Four Seasons” vase  c. 1900

  Glazed stoneware in a cream color with tan and light brown highlights molded with four female profiles and corresponding floral branches below representing the “Four Seasons” of the year

  Marks: F. Michelet (underglaze), Gentil et Bourdet  Architectes Ceramistes

  Another example of this vase is in the collection of the Brighton Museum Brighton, England
  Exhibited: French Art Nouveau from English Collections, City of Bristol Museum and Art Gallery, 1977, Cat. No. B7.

  Illustrated: Art Nouveau, Art Deco and the Thirties; The Ceramic, Glass and Metalwork Collections at Brighton Museum (Brighton: The Royal Pavillion, 1986)cat. no. 41, p. 22.

  For more information on Firmin-Marcellin Michelet see: Étains 1900:
  200 Sculptures de la Belle Époque, Philippe Dahhan (Paris: Les Éditions de l’Amateur, 2000), p. 274.

  H: 13 1/2″ x Dia: 7 1/4″

  Price: $7,500