Louis C. Tiffany / Tiffany Studios Dogwood Blossom table lamp c. 1906
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Louis C. Tiffany / Tiffany Studios Dogwood Blossom table lamp c. 1906
LOUIS C. TIFFANY (1848-1933) USA
TIFFANY STUDIOS New York
Dogwood Blossom table lamp c.1906
Stained glass shade in shades of pink, white, gold and green glass with rich brown/green patinated leading and a matching base with a rich brown/green patina.
Signed: TIFFANY STUDIOS NEW YORK (impressed bronze tag on shade); TIFFANY STUDIOS NEW YORK, 2588-1, Tiffany Glass & Decorating Company cipher (impressed on base)
Related model illustrated: Tiffany at Auction, Alastair Duncan (New York: Rizzoli, 1981), p. 98, illustration 268
Friedrich Gornik Bronze “Pelican” Art Nouveau Vide Poche c.1910
Friedrich Gornik (1877-1943) Austria.
“Pelicans” vide poche c. 1910.
Bronze with a natural gold patina of two pelicans on a rock, one seated and the other eating fish.
Marks: F Gornik and monogram.
For more information on Friedrich Gornik see: Der Österreichische Werkbund, Astrid Gmeiner & Gottfried Pirhofer (Salzburg & Wien: Residenz Verlag,1985) p. 228; Österreichische Keramik des Jugendstils, Waltraud Neuwirth (Munich: Prestel-Verlag, 1974) p. 156.
Louis C. Tiffany / Tiffany Studios Rare Kettle-on-Stand c. 1902
LOUIS C. TIFFANY (1848-1933) USA
TIFFANY STUDIOS New York
Kettle-on-Stand c.1902
Silver on copper with carved teak wood handles and finial in an organic-form and hexagonal shaped kettle-on-stand with burner
Marks: Tiffany Studios, New York (on all three pieces)
Illustrated: The Art of Louis Comfort Tiffany, Donald L. Stover (The Fine Arts Museums of San Francisco, 1981), p. 88, illus. 189 (description on p. 96); Tiffany at Auction, Alastair Duncan (New York: Rizzoli International Publications, 1981) p. 50, pl. 137.
A rare example of a subtle organic-form and hexagonal shaped kettle-on-stand emulating pooling water in a Japanese influenced design by Louis Comfort Tiffany and made by Tiffany Studios
Amphora Art Pottery / Eduard Stellmacher Art Nouveau “Fern fronds” vase c. 1900
EDUARD STELLMACHER Turn-Teplitz, Austria
AMPHORA ART POTTERY Turn-Teplitz, Austria
“Fern fronds” vase c. 1900
Glazed earthenware with applied three-dimensional fern fronds
Marks: STELLMACHER TEPLITZ, Amphora mark, 1145, 7
For more information see: Deutsch Kunst und Dekoration, ( March 1901) pp. 346-349; Sammlung Bröhan: Kunsthandwerk, Glas, Holz, Keramik, Vol. 1 Band II (Berlin: Bröhan Museum, 1976), pp. 284-293.
Signed: B. SPADE, DECORATEUR, PARIS (metal plaque)
H: 17 5/8″ x W: 31 5/8″ x D: 18″
After WWI, Marseilles-native Batistin Spade started a workshop for cabinetry and textile design. During the years between the wars he gained recognition for his refined and sumptuous furniture and interiors. The designer worked on some 30 ocean liners, including the Île de France (1926) and the Normandie (1935). In the early 40s, Mobilier National chose Spade to create office interiors for numerous ambassadors and government officials.
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