Josef Hoffmann / Wiener Werkstaette Leather purse c. 1909-10
JOSEF HOFFMANN (1870 – 1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Leather clutch purse c. 1909-10
Leather clutch with gilt tooling and silk lining, gilt bronze clasp
Marks: WIENER/ WERK/ STÄTTE ٭ (inside flap)
Similar design illustrated: Wiener Werkstätte Lederobjekte (Vienna: Museum für angewandte Kunst, 1992) p. 45
Related models illustrated: Vienne 1880-1938: l’Apocalypse Joyeuse (Jean Clair, Editions du Centre Pompidou: Paris, 1986), p. 280; Vienna: Dream and Reality, ed. Hans Hollein & Catherine Cooke (London: Architectural Design Editions, Ltd., 1986) p.38
W: 8 3/4“ x H: 6”
Henri Lapparra Art Deco “Mikado” covered sugar bowl c. 1930
Silver lidded bowl with ebony finial and rectangular ebony handles, decorated with enamel in fan shapped tiers of three shades of blue and black
Marks: French Touchmarks (Head of Minerva) 2x, Lapparra diamond shape silver touch mark, Red Lacquer Cranbrook Museum Accession No. 1930.77
Exhibited: Third International Exposition of Contemporary Industrial Arts, 1930-1931 The American Federation of Arts 1930-1931, The Museum of Fine Arts Boston, October 15 – November 10, 1930, The Metropolitan Museum of Art New York, December 1 – December 28, 1930, The Art Institute of Chicago, January 19 – February 15, 1931, The Cleveland Museum of Art Cleveland, March 11 – April 5, 1931; Art Deco, 1971 (Minneapolis: Minneapolis Institute of Arts)
Model illustrated: Art Deco, A Guide for Collectors, Katherine Morrison McClinton (New York: Clarkson N. Potter, Inc., 1972) p. 162; Art Deco, Judith Applegate (New York: Finch College Museum of Art, 1970) illustr. 392; The Cranbrook Collections, Sotheby, Parke-Bernet, New York, 1972, illustr. 31, pp. 7 & 9, Third International Exposition of Contemporary Industrial Arts, 1930 (New York: Finch College Museum of Art) No. 392; Art Deco, 1971 (Minneapolis: Minneapolis Institute of Arts) No. 164; International Exhibition of Metalwork and Cotton Textiles exhibition catalogue (The American Federation of Arts, 1930) No. 169
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