NIGERIA
Benin Head of King Oba, c. early to mid-20th Century
Lost wax cast bronze with a rich brown and black patina with light desert sand patina in some of the recessed areas.
The art of Benin is the product of an urban royal court, and is meant to symbolize and to extol the power, mystique, grandeur, continuity, and endurance of the ruling dynasty and its governing institutions. From the 14th century until its fall in 1897, Benin was ruled by the Oba, a divine ruler at the head of the political system of titled chiefs. Under royal support, a number of craftsman’s guilds produced bronze, brass, and wood sculptures and embroidered cloth, all of which have become prized by museums and collectors.
These heads were typically placed on altars dedicated to each of the past Oba’s of Benin. The altars are semicircular mud platforms that have been packed hard and rubbed smooth and are located in open courtyards of the palace. The royal altars are the settings for one of the two most important rites of divine kingship in Benin, Ugie Erha Oba, when the Oba honors the spirit of his late father and performs sacrifices to the royal ancestors and to the earth in which they are buried. Acknowledging his role as his fathers’ successor, the chiefs pay homage to the king and greet him in order of seniority. The rite expresses the continuity of divine kingship, and the altar before which it takes place provides the means by which the connection between the living king and his predecessors was established and made.
H: 14 1/2″ x D: 7 1/2″ x W: 8 1/2″
Benin King Oba bronze standing figure, Nigeria, 20th Century
Lost wax cast bronze with a verdigris patina and a desert sand surface highlighting a rich brown patina.
H: 15″ x D: 4 1/2″ x W: 4 1/2″
The art of Benin is the product of an urban royal court, and is meant to symbolize and to extol the power, mystique, grandeur, continuity, and endurance of the ruling dynasty and its governing institutions. From the 14th century until its fall in 1897, Benin was ruled by the Oba, a divine ruler at the head of the political system of titled chiefs. Under royal support, a number of craftsman’s guilds produced bronze, brass, and wood sculptures and embroidered cloth, all of which have become prized by museums and collectors.
DONG OR MEOW PEOPLE Southern China
Spiral counterweight early 20th century
Handwrought silver (Dutch coin silver) with custom stand
H: 10 ¼” x W: 5 1/4” x D: 2 ¾” (dimensions on stand)
These beautifully dynamic spiral objects were worn on the back to support a ceremonial apron worn across the front.
NUPE TRIBE, Nigeria
Nupe stool, Nigeria early to mid 20th Century
Hand carved and decorated wood with a rich developed brown black patina.
This finely hand carved African stool was created by the Nupe tribe of Nigeria. The stool is carved from one piece of wood with intricate refined geometric patterns carved into the top and has seven tapered legs.
H: 12 1/2″ x Dia: 16″
African Bronze “Tree of Life” Sculpture 20th Century
Sand cast bronze with a brown black patina with golden highlights in an open work design depicting 18 figures perched on a tree form with various intricate pattern details.
***As a Primitive / Tribal sculpture this piece visually relates to some of the sculpture and painting of the renowned French artist Jean Dubuffet.
H: 18 1/2″ x D: 4″ x W: 8″
AFRICAN / TRIBAL
CAMEROON GRASSLANDS
Stool 20th Century
Hand carved wood with a rich, well worn and developed brown patina, minimalist decoration with fine line incising. Very comfortable chair.
H: 12″ x W: 16″ x D: 10 1/2″
Benin King Oba bronze standing figure, Nigeria, 20th Century
Lost wax cast bronze with a rich brown and black patina with light desert sand patina in some of the recessed areas.
The art of Benin is the product of an urban royal court, and is meant to symbolize and to extol the power, mystique, grandeur, continuity, and endurance of the ruling dynasty and its governing institutions. From the 14th century until its fall in 1897, Benin was ruled by the Oba, a divine ruler at the head of the political system of titled chiefs. Under royal support, a number of craftsman's guilds produced bronze, brass, and wood sculptures and embroidered cloth, all of which have become prized by museums and collectors.
H: 20″ x W: 7 1/2″ x D: 7 1/2″
In the Style of JEAN-MICHEL FRANK (1895 – 1941) France
Pair of “Rodo” chairs 20th Century
Light ceruse oak with red Hermès sueded leather
For more information see: Jean-Michel Frank: The Strange and Subtle Luxury of the Parisian Haute-Monde in the Art Deco period, P.E. Martin-Vivier (Paris, 2006)
H: 32 1/2″