Jugendstil

PROF. MAX LÄUGER  (1864-1952)  Karlsruhe, Germany

Unique Jugendstil ceramic footed bowl inlaid with gold mosaic 1906

Light and dark green glazed earthenware inlaid with mosaic gold glass squares on four cylindrical feet.

Marks: ML, K (monogram)338 (incised), 4., MUSTER B.., GESCHTZ

For other mosaic inlaid works by Max Läuger see: Max Laeuger (1864-1952): sein graphisches, kunsthandwerkliches und keramisches Oeuvre, Elisabeth Kessler-Slotta (Saarbrücken: Saarbrücker Druckerei und Verlag, 1985) pp. 178/179; Europäisches Kunstgewerbe 1927, Stadtisches Kunstgewerbe-Museum zu Leipzig, (Leipzig: E.A. Seeman, 1928) p. 86; Deutsche Kunst und Dekoration vol. XII “Professor Max Laeuger  Karlsruhe”, pp. 221-237; Modernism:  Modernist Design 1880-1940 (The Norwest Collection, Norwest Corporation, Minneapolis), Alastair Duncan (Woodbridge, Suffolk, England: The Antique Collector’s Club, 1998), p. 86.

H: 5 3/4″ x Dia: 7 1/4″

Max Laeuger (or Läuger) was born in Lörrach on September 30, 1864. Laeuger was a self taught ceramicist, studied at the Karlsruhe Polytechnic a hundred miles to the north-west of Lörrach (now Karlsruhe University) and eventually became a professor at the university.  In 1895 after travelling throughout Europe visiting the major cultural centers to study art he was appointed director of the art pottery department of Tonwerke Kanderne close to his home town. He stayed there until 1913 and later took up a similar position at Majolika-Manufaktur in Karlsruhe.

From 1921 he had his own workshop on the premises formerly owned by the company and produced designs there. The work produced fell into three categories, slip decorated wares designed by Laeuger but produced entirely by the factory, pieces made at the factory but decorated and glazed by Laeuger and one-off pieces by the professor made from beginning to end in his own workshop. All were marketed by Majolika-Manufaktur. Laeuger’s one-off pieces had the brushed initials ‘ML’ and the other works were marked ‘LAEUGER’ or ‘PROF. MAX LAEUGER’

Through the thirties and into the Second World War he worked on his own, but after his workshop was destroyed in 1944 he returned to Lörrach where he died on December 12, 1952. Laeuger was a major figure in German ceramics. His designs and his glazes had ‘organic’ characteristics that are his signature design and his work is much sought-after by collectors. Examples of Laeuger pieces are on display at the Badisches Landesmuseum in Karlsruhe.

WALTER SCHERF (1875-1909) Germany

ORIVIT Germany

‘Mahogany framed mirror with gilt pewter Art Nouveau stylized flower and whiplash motif.

H: 24 1/2″ x W: 19″ x D: 3/4″

Price: 3/4″

PROF.  MICHAEL POWOLNY  (1871-1954)  Austria
LÖTZ WITWE GLASWERKS   Klostermuhle

Set of three “Tango” glass vases  c. 1920

Blown tall yellow glass with applied black  handles, blown orange glass with applied cobalt blue handles, blown red glass with applied black handle-form feet

Marks: Cecho. Slovakia (acid etched in an oval) (red vase)

Yellow and black vase              H: 6 1/2” x Dia: 6″
Orange and cobalt blue vase   H: 5 1/2” x Dia: 6″
Red and black vase                  H: 3 1/2” x Dia: 6″

For more information see: Lötz: Böhmisches Glas 1880-1940, Band 1, Helmut Ricke and Ernst Ploil, (Munich: Prestel-Verlag, 1989) ; Glass of the Avant-Garde, From Vienna Secession to Bauhaus, The Torsten  Bröhan Collection from the Museo Nacional de Artes Decorativas, Madrid, Torsten Bröhan, Martin Eidelberg (Munich, London, New York: Prestel Verlag, 2001).

Other Powolny works: Jugendstil Art Nouveau: floral und functional forms, Siegfried  Wichmann (New York / Boston: Graphic Society, Little, Brown and Co., 1984), p. 226; Vienna 1900-1930: Art in the Home, Historical Design exhibition catalogue (New York: Historical Design, Inc., 1996), p. 45; Modernism:Modernist Design 1880-1940, The Norwest Collection, Norwest Corporation, Minneapolis, Alastair Duncan (Woodbridge, Suffolk, England:  The Antique Collector’s Club, 1998).

SOLD