LOUIS MAJORELLE    (1859-1926)  France
MOUGIN FRÈRES  Nancy, France

Fiddleback Fern trefoil bowl    c. 1900

A rare stoneware example of Majorelle and the L’Ecole de Nancy with a mauve and sea-green glaze, crystalline formations in interior in a trefoil loped form with fiddleback ferns at each interval.

Marks:  Majorelle. de (impressed facsimile signature)  MOUGIN NANCY, 10.K , L

Illustrated:  Majorelle: Une Aventure Moderne, Roselyne Bouvier (Paris:
La Bibliothèque des Arts/Editions Serpenoise, 1991) p. 34, illus. 32.

H: 3 1/4″ x W: 6 3/4″

TIFFANY & CO. New York, NY

“Frog on a lily pad” cigarette case 1880

Hand wrought sterling silver with repoussé and chased gold design of a frog sitting on a lily pad with a dragonfly in it’s mouth, “lap over edge” and hand hammered details, gilt interior and spring action to the hinge when the sides are pressed

Tiffany Archive Illustration: Design for Cigarette Case No. 5804, No. 1019, 249, stamped Tiffany & Co. New York, February 26, 1880
Model and Archive illustration: Bejewelled by Tiffany 1837-1987 Clare Phillips (New Haven and London: Yale University Press, 2006)
For more information see: Tiffany Silver, Charles H. Carpenter, Jr. (New York: Dodd, Mead & Company, 1978); The Silver of Tiffany & Co., 1850-1987, Charles H. Carpenter, Jr. and Janet Zapata (Boston: Museum of Fine Arts, 1987).

Marks: Tiffany & Co., 5804, M, 2540, Sterling-Silver, 1019

H: 3/4” x W: 2 7/8” x D: 2 1/8”

The Frog and the Dragonfly
from The Lost Lagoon
by Reg Down, 2010

Once upon a time a dragonfly lived beside a lake high in the mountains. He flitted from bulrush to bulrush – and zipped after mosquitoes. He snapped them out of the air so quickly that no one could ever quite see what he was doing.
One day, as he was flying across the water, his beautiful wings glistening like rainbows, he came across a frog.
“Ribbit!” said the frog. “Come here, Mr. Dragonfly. I would like to have a better look at you.”
But the dragonfly was clever. In fact, he was so clever that his eyes were made up of hundreds of eyes all put together on the top of his head. And each one of those eyes said to him: “That frog wants to eat me!”
So he landed on top of a bulrush where the frog could not get him, and said, “Yes, Mr. Frog, I am close enough for you. What do you want?”
“Ribbit! Ribbit!” croaked the frog, “I think you should come closer because my eyes are not very good.”
So the dragonfly came a little closer. He flitted to a flower floating on the water—but still not close enough for the frog to grab him with his mouth.
“Yes, Mr. Frog, what do you want?” he asked.
“Oh, Mr. Dragonfly,” said the frog, “I have an itch on the end of my nose and my legs aren”t long enough to reach it. But your legs are scratchy—they will be able to scratch my itchiness much better that I ever could.”
The dragonfly found this quite funny. He thought, “That frog wants to eat me! I am sure that frog wants to eat me!” So he flew behind the frog and landed on his back.
The frog could feel the dragonfly crawling on his back, but he could not turn around to grab him. “Oh, Mr. Dragonfly,” he said, “you have to come closer to my nose. In fact, my lips are getting very itchy—please come closer.”
So the dragonfly went and sat between the frog”s eyes. Now the frog”s eyes were looking into the dragonfly”s eyes, and the frog saw that the dragonfly had far, far more eyes than he had. So he said, “Oh, Mr. Dragonfly, you are surely much, much more wise than I am. You have so many eyes that you can see the whole world!”
And the dragonfly replied, “Of course I can see the whole world! I have so many eyes that I am the wisest of all flies!”
“Well,” said the frog, “I have a little tickle in the bottom of my throat—what is happening there?”
And the dragonfly looked, and looked, and looked…….and Snap! the frog ate him up.

FRANZ XAVER BERGMAN (1861-1936) Austria

“Frog” pen wipe c. 1905-1910

Cold-painted bronze, boar’s hair bristles

For information see: Art Bronzes, Mich. Forrest (Schiffer, 1988).

L: 3 1/2″ x W: 3 1/2″ x H: 2″

Price: $1,675

A well-known animalier at the turn-of-the century, the sculptor Franz Bergman created a number of small bronzes in a variety of subject matter. Other figurative works were informed by the Jugendstil / Art Nouveau style and the European taste for the exotic as is found in his figures of rug merchants and camels. His animal sculptures, however, capture the Viennese tradition of naturalistic bronzes. The quality of the bronze casting shows tremendous detail, which was carefully brought out through the applied patination process known as cold painting.

EDUARD STELLMACHER Turn-Teplitz, Austria

AMPHORA ART POTTERY Turn-Teplitz, Austria

“Fern fronds” vase c. 1900

Glazed earthenware with applied three-dimensional fern fronds

Marks: STELLMACHER TEPLITZ, Amphora mark, 1145, 7

For more information see: Deutsch Kunst und Dekoration, ( March 1901) pp. 346-349; Sammlung Bröhan: Kunsthandwerk, Glas, Holz, Keramik, Vol. 1 Band II (Berlin: Bröhan Museum, 1976), pp. 284-293.

H: 8″ x Dia: 6 1/4″