Product Description
Vienna Secession, Gisela von Falke Covered Box c. 1905
GISELA VON FALKE (b. 1874) Austria
BERNDORFER METALLWARENFABRIK Berndorf, Austria
Covered box c. 1905
Hand hammered silver-plated box with a stylized floral motif and a riveted buttress handle design, mint green suede interior
Marks: Kayser (in a rectangular box with an arch encircling an eagle above)
For more information on Berndorfer Metallwarenfabrik see: Blühender Jugendstil – Österreich (Art Nouveau in Blossom – Austria), Firmen und Marken (Companies and Marks), Waltraud Neuwirth, II (Vienna: Selbstverlag Neuwirth, 1991), p. 221; Metallkunst, Kunst vom Jugendstil zur Moderne (1889-1939), Karl H. Bröhan (Berlin: Bröhan Museum, 1990) pp. 20-44.
W: 6 1/4″ x D: 5 1/2″ x H: 2″
Price: $4,800
Vienna Secession, Gisela von Falke Covered Box c. 1905
OTTO ECKMANN attr. (1865-1902) Germany
Pair of candlesticks c. 1900
Hand-wrought iron with floral and foliage design
H: 12 ¼” x W: 8 ¼”
Price: $7,475
Otto Eckmann (19 November 1865 – 11 June 1902) was a German painter and graphic artist. He was a prominent member of the “floral” branch of Jugendstil. Otto Eckmann was born in Hamburg, Germany in 1865. He studied at the Kunstgewerbeschule in Hamburg and Nuernberg and at the academy in Munich. In 1894, Eckmann gave up painting (and auctioned off his works) in order to concentrate on applied design. He began producing graphic work for the magazines Pan in 1895 and Jugend in 1896. He also designed book covers for the publishers Cotta, Diederichs, Scherl and Seemann, as well as the logo for the publishing house S. Fischer Verlag. In 1897 he taught ornamental painting at the Unterrichtsanstalt des Königlichen Kunstgewerbemuseums in Berlin. In 1899, he designed the logo for the magazine Die Woche. From 1900 to 1902, Eckmann did graphic work for the Allgemeine Elektrizitätsgesellschaft (AEG). During this time, he designed the fonts Eckmann (in 1900) and Fette Eckmann (in 1902), probably the most common Jugendstil fonts still in use today.