Wiener Werkstätte
Wiener Werkstätte
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Michael Powolny / Wiener Keramik Vienna Secession “Putto” vase c.1910
MICHAEL POWOLNY (1871-1954) Austria
BERTOLD LÖFFLER (1874-1960) Austria
WIENER KERAMIK ViennaPutto mit Füllhornvase c. 1910
Glazed white earthenware handpainted with black enamel.
Marks: MP (impressed artist’s monogram), WK (impressed firm logo in a square)
Exhibited: Frühjahrsausstellung Österreichischer Kunstgewerbe in Österreichisches Museum für Kunst und Industrie (today the MAK museum), Vienna, 1912.
Model illustrated: Deutsche Kunst und Dekoration, Vol. XXXI, October 1912 March 1913, n.p.; Deutsche Kunst und Dekoration, Vol. XXXIII, October 1913-March 1914, n.p.; The Studio Yearbook of Decorative Art 1913 (London, 1913), p. 218; Wiener Keramik, L.W. Rochowanski (Leipzig and Wien: Thyrsos Verlag, 1923) n.p.; Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Elisabeth Frottier (Vienna: Böhlau Verlag, 1990) 1912 photograph with the horse sculpture displayed in vitrine from Frühjahrsausstellung Österreichischer Kunstgewerbe, illus. 4, p. 15, illus. 16, p. 33, cat. no. WV 132.
H: 8 9/16″ x Dia: 5 3/4″
Price: $8,000
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Josef Hoffmann / Wiener Werkstätte / Vienna Secession Oval serving tray c. 1910
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) ViennaOval serving tray c. 1910
Silver plated alpaca
Marks: JH monogram, WIENER/WERK/STATTE, MADE IN AUSTRIA (impressed); L 478 a 1 (inscribed)
Illustrated: Wiener Werkstätte: Die Schutzmarken, The Registered Trade Marks, Waltraud Neuwirth (Wien: Selbstverlag Dr. Waltraud Neuwirth, 1985), p. 221; Wiener Werkstätte, 1903-1932, Gabriele Fahr-Becker (Köln: Benedikt Taschen Verlag GmbH, 1995), p. 161.
H: 1 3/4″ x W: 14″ x D: 11 3/4″
Price: $5,800
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Josef Hoffmann / Wiener Werkstätte / Loetz globe Vienna Secession sonce c.1915
JOSEF HOFFMANN (1870 – 1956) Austria
JOH. LÖTZ WITWE Klostermühle, Bohemia
WIENER WERKSTÄTTE (1903-1931) ViennaWall sconce with Loetz globe c. 1915
Polished brass, wall arm in the form of volute with pearl ribbon, handblown Lötz glass, cobalt Phänomen Gre
Marks: JH, WIENER WERKSTÄTTE
For more information see: Wiener Werkstätte: 1903-1932 Gabriele Fahr-Becker (Cologne: Taschen, 1994); Wiener Werkstätte Design in Vienna 1903-1932, Werner J. Schweiger (New York,1984); Josef Hoffmann Designs, ed. Peter Noever, MAK and Prestel-Verlag: Munich, 1992); Wiener Werkstätte by Gabriele Fahr-Becker.
Extension from the wall forward: 11 ½”
H top of arch to bottom of globe: 11 ¼”
Diameter of globe: 6 1/2”Price: $19,000
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Josef Hoffmann / Wiener Werkstätte Brass Candleholder and Match Safe 1906
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) ViennaCandlestick holder and match safe 1906
Hand wrought brass with beading around the perimeter of the edgesMarks: JH monogram, WIENER/WERK/STÄTTE, rosemark
Model illustrated: Österreichische Werkkultur, Max Eisler (Vienna: Österreichischer Werkbund, 1916). (slipcovered); Wiener Werkstätte G. M. B. H. catalog (December 1923), p. 114
H: 1 3/4″ x D: 2 5/16″ x W: 4 1/2″
Price: $4,500
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Marcel Kammerer / Thonet / Vienna Secession Pedestal c. 1905
Marcel Kammerer (1878-1959) Austria
Gebrüder Thonet ViennaPedestal with four-ball shelf, circa 1905.
Ebonized beech.
Marks: Thonet (original paper label).
For more information on Thonet see: Thonet Bentwood & Other Furniture, Christopher Wilk introd. (New York: Dover Publications, Inc., 1980) (reprint of the original 1904 catalogue); Casa Thonet, Storia dei mobili in legno curvato, Giovanna Massobrio, Paolo Portoghesi(Roma: Editori Laterza, 1980); Against the Grain: Bentwood Furniture from the Collection of Fern and Manfred Steinfeld, Ghenete Zelleke, Eva B. Ottilinger and Nina Stritzler (Chicago: The Art Institute of Chicago, 1993).
H: 46 3/4”
D top: 12”
D base: 13 1/2”
Shelf: 9 3/4″ x 10”Price: $14,000
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Gustav Gurschner, Secessionist / Byzantine Revival bronze vase c. 1905
GUSTAV GURSCHNER (1873-1970) Austria
Vase c. 1905
Cast bronze ovoid shaped vase with decorative Celtic motif, lightly gilded, the body of the vase simulating leather with a rich brown patina
Signed: GURSCHNER, M180 (stamped in the bronze)
Related works illustrated: The Studio, Special Summer Number 1906: The Art Revival in Austria, ill. no. D6; Studio Yearbook (London, 1909), pp. 139-140; Vienna Turn of the Century: Art and Design, Fischer Fine Art, exhib. cat. (London 1979), p. 23, illus. 1; Bronzes, sculptors & Founders, H. Berman, (Atglen 1994 III) p. 781, cat. nos. 2893, 2894; Decorative Art 1880-1980, Dan Klein & Margaret Bishop (Oxford, England: Phaidon and Christie’s Limited, 1986) p. 84, illus. 1
H: 7 1/4″ x D: 7″ x D: 4″
Price: $14,500
Gustav Gurschner was born in Tirol, Austria. He attended the Fachschule für Holzindustrie in Bozen from 1885-1888. After three years, his instructors encouraged him to attend the Austrian Museum for Applied Arts’ Kunstgewerbeschule in Vienna. After finishing his formal training, Gurschner pursued a career as a sculptor of monumental works. It was while he was in Paris in 1897, that he first turned his energies from the application of small-scale, sculptural works to the aesthetic design of household objects. Shortly thereafter, he returned to Vienna to join the Secessionists whose ideals he shared. By the turn-of-the-century, Gurschner was not only one of the better known artists working in Vienna but enjoyed a reputation that extended into other European countries as well.
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Vienna Secession, Gisela von Falke Covered Box c. 1905
GISELA VON FALKE (b. 1874) Austria
BERNDORFER METALLWARENFABRIK Berndorf, AustriaCovered box c. 1905
Hand hammered silver-plated box with a stylized floral motif and a riveted buttress handle design, mint green suede interior
Marks: Kayser (in a rectangular box with an arch encircling an eagle above)
For more information on Berndorfer Metallwarenfabrik see: Blühender Jugendstil – Österreich (Art Nouveau in Blossom – Austria), Firmen und Marken (Companies and Marks), Waltraud Neuwirth, II (Vienna: Selbstverlag Neuwirth, 1991), p. 221; Metallkunst, Kunst vom Jugendstil zur Moderne (1889-1939), Karl H. Bröhan (Berlin: Bröhan Museum, 1990) pp. 20-44.
W: 6 1/4″ x D: 5 1/2″ x H: 2″
Price: $4,800
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Josef Hoffmann Schule / Wiener Kunstgewerbeschule Austrian pottery vase c.1905
THE VIENNA SECESSION
VIENNA KUNSTGEWERBESCHULE
SCHOOL OF JOSEF HOFFMANNArchitectural vase c. 1905
Glazed earthenware
Marks: Austria 7142, arrow (impressed), 71 79EL0, 4911
H: 11 3/4″ x D: 5 1/2″ x W: 5 1/2″
Price: $4,500
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Bilder aus Karlsbad, Wiener Werkstaette, c.1910 Wiener Werkstaette brass bound book “Bilder Aus Karlsbad”, art nouveau brass embossed front and back panels decorated with stylized flowers and scrolling branches by Josef Hoffmann, containing twenty lithographic prints from Wiener Werkstatte postcard designs, depicting views of Karlsbad after various artists including Karl Schwetz, Leopold Dreksler and others, the inside front cover edge inscribed “Wiener Werkstatte” (an example of this booklet is held by the University of Applied Arts in Vienna) circa 1910
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Karl Schmidt / Hagenauer Werkstätte Sterling nude sculpture c. 1965
KARL SCHMIDT (b. 1948) Vienna
HAGENAUER WERKSTÄTTE ViennaSculpture c. 1965
Handwrought sterling silver repoussé in the form of a nude with blowing hair
Marks: SCHMIDT WIEN MADE IN AUSTRIA 925 (silver standard) KS (artist initials)
For more information see: Metallkunst, Karl H. Bröhan (Berlin: Bröhan Museum, 1990) pp. 200-205; Werkstätte Hagenauer 1898-1956, (Vienna: Österreiches Museum für angewandte Kunst).
H: 17 1/4″ x W: 12″ x D: 2 3/4”
Price: $17,500
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Otto Prutscher / Augarten / Vienna Secession / Biedermeier Style Pair of Vases c. 1926
OTTO PRUTSCHER (1880-1949) Austria
WIENER PORZELLANMANUFAKTUR AUGARTENPair of vases c. 1926
Hand painted and glazed porcelain
Marked: firm’s logo, Wien, Augarten Austria, model no. 5217
Illustrated: Die Kunst, 1926
For more information see: Wiener Keramik: Historismus, Jugendstil, Jugendstil, Art Deco, Waltraud Neuwirth (Braunschweig: Klinkhardt & Bierman, 1974), S. 409 & 414
H: 9 1/2″
Price: $11,800
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Michael Powolny / Wiener Werkstaette Vienna Secession “Schneckenreiter” c. 1910
MICHAEL POWOLNY (1871-1954) Austria
BERTOLD LÖFFLER (1874-1960) Austria
VEREINIGTE WIENER UND GMUNDNER KERAMIK ViennaSchneckenreiter c. 1910
Glazed white earthenware hand-painted with black enamel
Marks: conjoined WK (in a square), KG with flower (in a square), 81 (impressed)
***Extremely rare Powolny model in black and white.
Model illustrated: Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Elisabeth Frottier (Vienna: Böhlau Verlag, 1990), p. 50, illus. 20, cat. no. WV43; Vienna 1900, Vienna, Scotland and the European Avant-Garde, Peter Vergo (Edinburgh, Scotland, 1983), p. 63, plate 19; “Austrian Architecture and Decoration,” The Studio Year Book of Decorative Art 1911 (London: The Studio, 1911), p. 233.
This model may also be found in the permanent collection of the Victoria & Albert Museum, London (Inventory number 604, 1966).
H: 7″ x W: 7 3/4″ x D: 4″
Price: $10,500
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Josef Hoffmann / J. & J. Kohn Vienna Secession Stool c.1907
JOSEF HOFFMANN (1870-1956) Austria
JACOB & JOSEF KOHN ViennaStool c. 1907
Mahogany-stained beech with upholstery fabric (new) designed by Josef Hoffmann by Backhausen, Vienna
Illustrated: Jacob & Josef Kohn 1916 catalogue (reprint), p. 37, Model no. 728/s; Klassiker des Modernen Möbeldesign, Dorothee Müller (Munich: Keysersche Verlagsbuchhandlung, 1980) illus. 85, p. 110: Jacob & Josef Kohn catalogue (reprint in Moderne Vergangenheit Wien 1800-1900 (Vienna: Künstlerhaus, 1981) p. 63; 1909 Jacob & Josef Kohn catalogue (reprint) in Bent Wood and Metal Furniture: 1850- 1946, Derek E. Ostergard, ed. (New York: The American Ferderation of Arts, 1987) p. 107.
H: 18″ x Dia: 14″
Price: $4,250
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Oswald Haerdtl / J. C. Klinkosch Vienna Hand mirror c. 1940
OSWALD HAERDTL (1899-1959) Austria
J.C. KLINKOSCH ViennaHand mirror c. 1940
Handwrought and hand hammered silver in a contoured organic form, the top inset panel is turquoise and peach colored champleve enamel with silver cloisons in the form of a meandering branches.
Marks: J.C.K. (maker’s monogram), Klinkosch touch marks, 800 and toucan mark (Vienna silver standard marks)
For more information and other works see: Oswald Haerdtl 1899-1959, introd. Johannes Spalt (Vienna: Hochschule für angewandte Kunst, 1978); Oswald Haerdtl, Architekt und Designer (1899-1959), Adolphe Stiller (Salzburg: Verlag Anton Pustet, 2000); Art Nouveau and Art Deco Silver, Annelies Krekel-Aalberse (New York: Harry N. Abrams, 1989).
L: 10 1/2″
Price: $4,200
Haerdtl shared an architectural practice with Josef Hoffmann in the early 1930s, was later honored by the Austrian government to design the Austrian pavilion at the 1937 International Exhibition in Paris.
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Michael Powolny / Gmundner Keramik / Vienna Secession Vase Model No. 289 c. 1912
MICHAEL POWOLNY (1871-1954) Austria
GMUNDNER KERAMIK ViennaVase c. 1912
White glazed pottery with black striped division and four black glazed ball feet
Marks: GK (in a square) 289, D/3
For more information see: Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Elisabeth Frottier (Vienna: Böhlau Verlag, 1990); Wiener Keramik, Historismus, Jugendstil, Art Déco, Waltraud Neuwirth (Braunschweig: Klinkhardt & Biermann, 1974).
H: 6 1/8″
Price: $3,850
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Emanuel Josef Mangold (attr.), J. & L. Lobmeyr (retailer), Fachschule Haida vase c. 1911
EMANUEL JOSEF MARGOLD attr. (1888-1962)
J. & L. LOBMEYR (founded 1823) Vienna, Austria
FACHSCHULE HAIDA Bohemia
Vase c. 1911
Stylized birds perched in highly stylized scrolling vine motif, abstract geometric circular forms and concave carved “windows”, “Schwarzlot” technique further accented with gilt highlights
For more information see: Das Böhmische Glas 1700-1950, Band IV Jugendstil in Böhmen, Alena Adlerová, c.s. (Passau: Passauer Glasmuseum, 1995) pp. 202 – 210; Glaskunst der Moderne: von Josef Hoffmann bis Wilhelm Wagenfeld, Torsten Bröhan (Munich: Klinkhardt & Biermann,1992),
***The “Schwarzlot” technique is finely pulverized iron that is in liquid form and painted as the graphic design. The piece is than “fired” and the painted surface creates a soft iridescent metallic charcoal grey surface. This technique also has a similar coloration to the liquid form metallic used in the silver / jewelry technique “Niello”. “Schwarzlot” was a labor intensive technique used in artistically painted glass in Bohemia immediately following the turn of the 20th Century and through the 1920’s.
H: 7 1/4″ x Dia” 4 1/2″
Price: $6,450
Emanuel Josef Margold (1888-1962)
The architect, designer for the arts and graphic artist Josef Emanuel Margold was trained as a carpenter at the College for woodworking in Königsberg an der Eger. He then studied at the School of Applied Arts in Mainz Anton Huber, then at the Academy of Fine Arts Vienna in the Master School of Architecture at Josef Hoffmann. 1908-10 he carried out works in Bohemia and Austria. He then became assistant Josef Hoffmann at the master class and employees of the Wiener Werkstätte. During the study period Margold participated in numerous Ideenwettbewerben. The Darmstadt publisher Alexander Koch became aware of him and published from 1907 Margolds designs in various journals.The 1911 Margold was appointed to the Darmstadt Artists’ Colony and established a studio in the Ernst-Ludwig-Haus. He made numerous designs for all areas of arts and crafts such as jewelry, porcelain, glass, fabrics and wallpapers. Documented from this period are also several residential and office equipment. His cookie jars made of sheet metal for the manufacturer Bahlsen from Hanover, which he made from 1912 to 1918 were known. In Darmstadt, he designed the establishment of the lamp business August Wilk and designed grave times in the expressionist style.In 1929 he moved to Berlin, where he still designed several houses in the style of the new style. In 1938 he became a professor at the School of Applied Arts
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Josef Hoffmann, Wiener Werkstaette, Silverplate and Crystal Cruet Set c.1922
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Cruet Set c.1922
Silver plated stand with original cut crystal paneled bottles
Model illustrated: Wiener Werkstätte G.M.B.H. catalog (December 1923), kat. nr. M di 5, p. 406. (This WW catalogue is in the collection at the Rare Books Department of the New York Public Library)
H: 6 1/2″ x D: 2 1/8″ x W: 6 3/4″
Price: $6,500
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Josef Hoffmann / Wiener Werkstaette Piano lamp c. 1910
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Piano lamp c. 1910
Original nickel plated brass with a period silk shade
Marks: WIENER WERKSTÄTTE, JH monogram, rose mark
For more information see: Josef Hoffmann Designs, ed. Peter Noever (Munich: MAK and Prestel-Verlag, 1992), Wiener Werkstätte: Avantgarde, Art Déco, Industrial Design, Waltraud Neuwirth (Vienna: Selbstverlag Dr. Waltraud Neuwirth, 1984).
Overall length: 19″ ; Overall height: 10″ Base: 6″ square, H: 1″ to 1 3/4″ ; Dia Shade: 6″; Silk shade: 9″
Price: $24,500
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Lötz Witwe / Hans Ofner Austrian Art glass vase c. 1920
HANS OFNER attr. (1880-1939) Austria
JOH. LÖTZ WITWE Klostermühle, BohemiaVase c. 1920
Handblown cobalt glass with undulating metallic chartreuse bands, four applied glass teardrops at the rim
For related examples by Ofner see: Innen Dekoration, “Lötz glass by Hans Ofner,” 1906.
For the identical glass technique see: Lötz: Böhmisches Glas 1880-1940, Vol. 1, Helmut Ricke and Ernst Ploil (Munich: Prestel-Verlag, 1989), p. 294, ill. no. 357.
H: 4 1/4″ x Dia: 4 1/4″
Price: $3,500
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Wilhelm Schmidt / Prag Rudnicker Vienna Secession / Arts & Crafts stool c. 1902
WILHELM SCHMIDT (b. 1880) Austria
PRAG-RUDNICKER KORBWAREN-FABRIKATION AustriaVienna arts & crafts stool c. 1902
Oak, rattan
Illustrated: Das Interieure III “Wiener Kunst im Hause Exhibition”, Wien, 1902, p. 169; Prag-Rudnicker Korbwaren-Fabrikation Catalog, 1902/1903, No. 508. Korbmöbel, Eva B. Ottillinger (Salzburg: Residenz Verlag, 1990) p. 106, illus. no. 99, Moderne Vergangenheit Wien 1800-1900 (Vienna: Künstlerhaus, 1981) p. 271;
H: 19 1/2″ x W: 19″ x D: 17 5/8″
Price: $4,800
Wilhelm Schmidt was one of a number of avant-garde designers, along with M.H. Baillie Scott, Peter Behrens, and Henry van de Velde, who incorporated the traditional material of rattan, or wicker, into their furniture designs during the early part of the century. For this stool, the Viennese designer used rattan in the much same way that a furniture maker of his day would have used upholstery on seating furniture. It provides a supportive, yet yielding and therefore comfortable seat.
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Bernhard Amster Austrian Silver “Winged Heart” Covered Box c.1910
BERNHARD AMSTER (active Vienna early 20th century) Austria JEWELER, GOLDSMITH AND SILVERSMITH
“Winged Heart” Covered Box c. 1910
Handwrought and hand-hammered silver in a half oval form on four cylindrical feet with heart-shaped finial inset with bone and stylized silver feathers
Marked: BA (in a rectangle 2x), Austrian touchmark for 800 silver (in a pentagon 2x)For more information see: Blühender Jugendstil – Österreich (Art Nouveau in Blossom – Austria), Firmen und Marken (Companies and Marks), Waltraud Neuwirth, II (Vienna: Selbstverlag Neuwirth, 1991)
H: 4 1/2″ x W: 6 1/2″ x D: 4 3/4″
Price: $5,750
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J. & L. Lobmeyr Footed glass compote c. 1910
J. & L. LOBMEYR Vienna, Austria
Footed glass compote c. 1910
Three-dimensional enameled stylized leaf motif with white on the underside and periwinkle blue on the inside of the bowl and top surfaces, central floral engraved and gilded decoration
H: 6″ x Dia: 6 1/2″
Price: $2,750
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Josef Hoffmann Table for J & J Kohn, Vienna Secession c.1915
JOSEF HOFFMANN (1870-1956) Austria
JACOB & JOSEF KOHN Vienna, AustriaOval occasional table c.1915
Model no. 960/4
Ebony stained beech
Marked: original Jacob & Josef Kohn paper label
Illustrated: Jacob & Josef Kohn: Bentwood Furniture, der Katalog von 1916 (München: Verlag Dry, 1985), p. 69;
Against the Grain: Bentwood Furniture from the Collection of Fern and Manfred Steinfeld, Ghenete Zelleke, Eva B. Ottilinger and Nina Stritzler (Chicago: The Art Institute of Chicago, 1993) p. 88.H: 29 3/4″ x D: 15″ x W: 17 3/4″
Price: $7,500
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Frantisek Bibus Architectural Vienna Secession Decanter c. 1910
FRANTISEK BIBUS Czechoslovakia
Architectural covered decanter with spherical stopper c. 1910
Silver mount with a rectangular handle cut out on a cut paneled crystal body, round crystal silver mounted stopper.
Marks: FB (maker’s mark) in a rectangle cartouche, Vienna assay mark for 800 silver
For more information see: Blühender Jugendstil – Österreich (Art Nouveau in Blossom – Austria), Firmen und Marken (Companies and Marks), Waltraud Neuwirth, II (Vienna: Selbstverlag Neuwirth, 1991).
H: 7″ x Dia: 3 1/2″
Price: $6,500
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Josef Hoffmann / Wiener Werkstaette Fluted serving tray c. 1928
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Fluted serving tray c. 1928
Handwrought silver plated brass, gilt interior, hand hammered swirled fluting, scalloped edge
Marks: MADE IN AUSTRIA (in a square), JH monogram, WIENER WERK STÄTTE (in a square)
Model illustrated: Josef Hoffmann: Ornament zwischen Hoffnung und Verbrechen (Wien: Herausgeber, 1987) p. 185.
Related models illustrated: Wiener Werkstätte Design in Vienna 1903-1932, Werner J. Schweiger (New York,1984) pp. 62,66; Josef Hoffmann Designs, ed. Peter Noever, MAK and Prestel-Verlag: Munich, 1992) pp. 172, 174, 189.
H: 1” x D: 8”
Price: $5,500
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Koloman Moser (attr.) / Portois & Fix Vienna Secession Center Table c.1902
KOLOMAN MOSER attr. (1868-1918) Austria
PORTOIS & FIX Vienna, AustriaSecessionist center table c. 1902
Exotic wood with brass inlaid squares, brass stretcher and feet with nickel-plated sabots
Marks: No. 29378 (inventory paper label), oval metal plaque in Russian with No. 798
***This table was likely exhibited at the 1902 Moscow Exhibition of Architecture and Applied Art and that is perhaps the reason for the Russian metal plaque.
For more information see: Art in Vienna, Peter Vergo (London: Phaidon Press Ltd., 1975), p. 139, footnote 88, p. 247.
H: 29” x W: 29” x L: 42 1/4”
Price: $42,500
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Michael Powolny / Wiener Keramik / Wiener Werkstaette / Vienna Secession “Putto mit Hahn” c. 1910
MICHAEL POWOLNY (1871-1954) Austria
BERTOLD LÖFFLER (1874-1960) Austria
WIENER KERAMIK ViennaPutto mit Hahn c. 1910
Glazed white earthenware handpainted with black enamel
Marks: MP (impressed artist’s monogram), WK (impressed company logo in a square), original Wiener Keramik paper label
Exhibited: Frühjahrsausstellung Österreichischer Kunstgewerbe in Österreichisches Museum für Kunst und Industrie (MAK museum), Vienna, 1912.
Model illustrated: Deutsche Kunst und Dekoration, Vol. XXXI, October 1912 – March 1913, n.p.; Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Elisabeth Frottier (Vienna: Böhlau Verlag, 1990) 1912 photograph with the cock sculpture displayed in vitrine from Frühjahrsausstellung Österreichischer Kunstgewerbe, illus. 4, p. 15 and illus. 27, p. 54, cat. no. WV92.
H: 9 1/8″
Price: $7,950
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Karl Hagenauer / Hagenauer Werkstätte Pair of Austrian figural cordials c. 1930
KARL HAGENAUER (1898-1956) Austria
HAGENAUER WERKSTÄTTE Vienna, AustriaPair of figural cordials c. 1930
Nickel-plated brass
Marks: wHw in a circle (Hagenauer Werkstätte logo), Hagenauer Wien, MADE IN AUSTRIA
For related sculptural works see: reprint of Hagenauer Werkstätte vintage catalog, c. 1930, p. 19, lamp model#1561, p. 22, car mascot model #1583.
For more information see: Metallkunst, Karl H. Bröhan (Berlin: Bröhan Museum, 1990) pp. 200-205.
H: 5 ¼”
Price: $2,250
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Josef Hoffmann / Wiener Werkstaette Leather purse c. 1909-10
JOSEF HOFFMANN (1870 – 1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Leather clutch purse c. 1909-10
Leather clutch with gilt tooling and silk lining, gilt bronze clasp
Marks: WIENER/ WERK/ STÄTTE ٭ (inside flap)
Similar design illustrated: Wiener Werkstätte Lederobjekte (Vienna: Museum für angewandte Kunst, 1992) p. 45
Related models illustrated: Vienne 1880-1938: l’Apocalypse Joyeuse (Jean Clair, Editions du Centre Pompidou: Paris, 1986), p. 280; Vienna: Dream and Reality, ed. Hans Hollein & Catherine Cooke (London: Architectural Design Editions, Ltd., 1986) p.38
W: 8 3/4“ x H: 6” -
Michael Powolny / Lötz Witwe Glaswerks Jugendstil Set of Three “Tango” Glass Vases c. 1920
PROF. MICHAEL POWOLNY (1871-1954) Austria
LÖTZ WITWE GLASWERKS KlostermuhleSet of three “Tango” glass vases c. 1920
Blown tall yellow glass with applied black handles, blown orange glass with applied cobalt blue handles, blown red glass with applied black handle-form feet
Marks: Cecho. Slovakia (acid etched in an oval) (red vase)
Yellow and black vase H: 6 1/2” x Dia: 6″
Orange and cobalt blue vase H: 5 1/2” x Dia: 6″
Red and black vase H: 3 1/2” x Dia: 6″For more information see: Lötz: Böhmisches Glas 1880-1940, Band 1, Helmut Ricke and Ernst Ploil, (Munich: Prestel-Verlag, 1989) ; Glass of the Avant-Garde, From Vienna Secession to Bauhaus, The Torsten Bröhan Collection from the Museo Nacional de Artes Decorativas, Madrid, Torsten Bröhan, Martin Eidelberg (Munich, London, New York: Prestel Verlag, 2001).
Other Powolny works: Jugendstil Art Nouveau: floral und functional forms, Siegfried Wichmann (New York / Boston: Graphic Society, Little, Brown and Co., 1984), p. 226; Vienna 1900-1930: Art in the Home, Historical Design exhibition catalogue (New York: Historical Design, Inc., 1996), p. 45; Modernism:Modernist Design 1880-1940, The Norwest Collection, Norwest Corporation, Minneapolis, Alastair Duncan (Woodbridge, Suffolk, England: The Antique Collector’s Club, 1998).
SOLD
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Michael Powolny Rare Loetz Witwe Vienna Secession Tall Bud Vase c.1914
PROF. MICHAEL POWOLNY (1871-1954) Austria
JOH. LÖTZ WITWE GLASWERKS Klostermϋhle, Bohemia
Tall bud vase c. 1914
“Opal mit streifen” opaline blown glass with applied blue glass canes and blue knob above opaline base
Exhibited: 1914 Werkbundausstellung, Cologne (Lötz period photograph, vase for the 1914 Cologne Werkbund Exhibition) Lötz: Böhmisches Glas 1880-1940: Werkmonographie, Band 1, Helmut Ricke and Ernst Ploil (Munich: Prestal-Verlag, 1989), p. 267; Wiener Werkstätte Design in Vienna 1903-1932, Christian Brandstätter (New York:Verlag Harry Abrams, 2003) p. 247.
Form illustrated: Lötz: Böhmisches Glas 1880-1940: Werkmonographie, Band 1, Helmut Ricke and Ernst Ploil (Munich: Prestal-Verlag, 1989), p. 267
Same ”opal mit streifen” technique illustrated: Glaskunst der Moderne: von Josef Hoffmann bis Wilhelm Wagenfeld, Torsten Bröhan (Munich: Klinkhardt & Biermann, 1992), cat. no. 19, pp. 74-77.H: 11″ x Dia: 3 1/2″
Price: $10,500
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Mizi Otten / Rena Rosenthal New York Enameled covered box c. 1925-30
MIZI OTTEN (1884-1955) Vienna, Austria, later New York, NY
RENA ROSENTHAL New YorkEnameled cover plaque with a “Fantasy interior scene” mounted in a leather covered wood box c. 1925-30
Marks: M.O.(on enamel lower left), RENA (Rena Rosenthal) on back of box
H: 1 5/8″ x W: 7 3/4″ x D: 3 3/4″
Price: $7,250
Mizi Otten was born in Vienna in 1884. At an early age she knew that she wanted to be an artist. Despite the objections of her parents, who thought it unbecoming for their daughter to paint, she attended art school, studying painting and decorative arts in Vienna and Munich. After studying at the School of Art for Women and Girls and the School of Arts and Crafts in Vienna, she went on to produce designs for the Wiener Werkstätte in all areas of applied art: jewellery, metalwork, textiles, fashion, enamels, and commercial graphics. From 1920 she also designed large-format enamels. She was a member of the Neukunstgruppe (New Art Group) and the Austrian Werkbund and took part in all the major Wiener Werkstätte exhibitions, including the 1908 Kunstschau, the 1915 Fashion Exhibition, the 1925 Paris Exposition, the 1925 Deutsche Frauenkunst Exhibition and the 1930 Werkbund Exhibition.
By 1925 her work was considered of such exceptional quality that it was included in the Austrian pavilion at the International Exposition in Paris. She won the silver medal for enameling. Among the many attendees at this prestigious and historically significant exposition was Rena Rosenthal, an important American dealer whose New York gallery specialized in contemporary German and Austrian decorative arts. She and several other dealers purchased Otten’s work and began selling it in the United States. Twelve years later she again won the silver medal for enamels at the International Exposition in Paris. With the threat of war looming, she immigrated to the United States in 1938. By the time she arrived in New York, her work was already well known in this country.
The year 1939 brought the artist tremendous exposure throughout the United States. Five enamels were juried into the Eighth National Ceramic Exhibition in Syracuse, nine works were shown in the Exhibition of Decorative Arts in Denver, and five works were included in the prestigious Golden Gate International Exposition in San Francisco. By 1940 Otten was firmly established as a prominent enamel artist in the United States. She went on to participate in three more of the Syracuse Ceramic Nationals—in 1940, 1941, and 1948. Her work was shown at the Metropolitan Museum of Art in New York in the early 1940s. In February 1944 a profile of Otten was published in Craft Horizons. The artist discussed how her style in enameling had changed since she had come to the United States. She stated that Americans preferred a more naturalistic approach, as compared to the more abstract style she had developed in Vienna. She was happy to embrace this new approach to enameling, however, and found tremendous satisfaction in her work. In 1950 she and Kathe Berl cowrote and self-published a manual on enameling technique entitled The Art of Enameling; or, Enameling Can Be Fun, which was one of the earliest how-to books on the subject to appear in this country.
*** Prior to emigrating to the US in 1938 and while in Vienna, Mizi Otten used her European name, Mitzi Otten-Friedmann.
Rena Rosenthal (1880–1966) was a trend-setting American retailer and businesswoman.
Rena Rosenthal was a promoter of applied arts in the modernist style whose patronage helped launch the careers of such noted designers as Donald Deskey, Tommi Parzinger, Ernst Schwadron and Russel Wright. She established the Austrian Workshop,later Rena Rosenthal Studio and then Rena Rosenthal Gallery. She retailed exclusive handcrafted glass, porcelain, fabric, metal and wood objects for home adornment through her shop at 520 (later 438) Madison Avenue. Many of these items were sourced in her father’s and husband’s native Austria; her shop distributed wares from the Wiener Werkstätte and from the Viennese designer Karl Hagenauer. She introduced the work of Austrian enamel artist Mizi Otten to North America, and was an early promoter of English potter and painter T. S. Haile. She loaned German pottery and Austrian metalwork items to the Worcester Art Museum’s third annual exhibit of modern decorative arts, in 1929. While she is known now principally for her exclusive retail shop (regular advertisements were seen in House & Garden and Harpers magazines), her business was listed over the years in New York directories under “Painters & Decorators” and “Gift Shops”, and in Chicago under “Art Goods.” Rena Rosenthal was an influential arbiter of taste and fashion in the interior decorating world, particularly during the introduction of modernism to North America. She handled art works that ended up in collections of notable individuals like Geoffrey Beene and institutions such as the Cooper-Hewitt Smithsonian Design Museum. -
Czech Modernism Creamy white glazed earthenware vase c. 1920
CZECH MODERNISM
Vase c. 1920
Creamy white glazed earthenware
Marks: Made in Cecho-Slowakia
H:10″ x W:8″ x D: 6″
Price” $2,200
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Gisela Falke von Lilienstein / Berndorfer Metallwarenfabrik Vienna Secession covered box c. 1902
GISELA VON FALKE (b. 1874) Austria
SCHOOL OF KOLO MOSER Austria
BERNDORFER METALLWARENFABRIK Berndorf, Austria
E. BAKALOWITS & SÖHNE Vienna, Austria [retailer]Covered box c. 1902
Silver plate mounts and cover, blown “meteor” glass.
Marks: BEPWF 1481, maker’s touch marks
For more information on Berndorfer Metallwarenfabrik see: Blühender Jugendstil – Österreich (Art Nouveau in Blossom – Austria), Firmen und Marken (Companies and Marks), Waltraud Neuwirth, II (Vienna: Selbstverlag Neuwirth, 1991), p. 221; Metallkunst, Kunst vom Jugendstil zur Moderne (1889-1939), Karl H. Bröhan (Berlin: Bröhan Museum, 1990) pp. 20-44.
H: 7″ x W: 8″
Price: $9,000
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Julius Dressler / Art Pottery Black and White Footed bowl c. 1910
JULIUS DRESSLER Biela, Czech Republic
JULIUS DRESSLER BIELA (1888-1945) Czech Republic
Bowl 1910
Black and white glazed earthenware with three ball feet
Marks: JDB, 7764 (underglaze)
H: 4 7/8” x D base: 10 7/8”
Price: $3,750
Julius Dressler was a noted Bohemian ceramics manufacturing company that operated from the late 19th century until the end of World War II. Founded by Julius Dressler in the 1880s in Biela, Bohemia, the company produced high-quality decorative faience, Maiolica and porcelain ware. Dressler gained international renown for the ceramics it produced in the early 1900s in the Art Nouveau style, also known as “Jugendstil” or “Secessionist” ware.
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Josef Hoffmann / Wilhelm and Johann Jonasch / Vienna Secession Game table c. 1913
JOSEF HOFFMANN (1870-1956) Austria
WILHELM AND JOHANN JONASCH AustriaGame table with four drawers c. 1913
Oak, leather top with gold tooled detail
Made by Johann Jonasch (Kunsttischler)
Illustrated: Vienna 1900-1930, Art in the Home,
exhib. cat. Historical Design, Inc. (New York, 1996), p. 60-1.Matching dining table illustrated in: Österreichische Werkkultur,
Max Eisler (Wien: Kunstverlag Anton Schroll & Co., 1916) p. 97.Related tables by Hoffmann illustrated: Deutsche Kunst und Dekoration, April-September 1914, p. 140-4; Deutsche Kunst und Dekoration, April September 1916, pp. 199-200; Deutsche Kunst und Dekoration, Oct.-March 1917, p. 207-8; Möbel des Jugendstils: Sammlung des Österreichischen Museums für angewandte Kunst, Vera J. Behal (Munich: Prestel-Verlag, 1981), pp. 143-5; Josef Hoffmann e la Wiener Werkstätte, Daniele Baroni and Antonio D’Auria (Milan: Electa Editrice, 1981). pp 124-125.
H: 31” x W: 27 3/4” x D: 27 3/4”
Price: $35,000
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Josef Riedel / Bakalowits Soehne / Austrian Jugendstil Crystal carafe c. 1900
JOSEF RIEDEL GLASWERKS Dolni Polubny, Bohemia
BAKALOWITS SÖHNE Vienna
Carafe c. 1900
Clear crystal engraved with a peacock feather (gilding)and inset with an applied colored-glass peacock eye
For more information see: Das Böhmische Glas 1700-1950, Band IV Jugendstil in Böhmen, Alena Adlerová, c.s. (Passau: Passauer Glasmuseum, 1995) pp. 202 – 210.
Carafe: H: 10 ½” D of base: 6 “
Price: $3,650
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Michael Powolny / Wiener Werkstätte Vienna Secession Centerpiece Bowl c. 1906
Michael Powolny (1871-1954) Austria.
Bertold Löffler (1874-1960) Austria.
Vereinigte Wiener Und Gmundner Keramik.Pedestal centerpiece bowl, circa 1906.
Hand-painted faience with a black and white diamond pattern on three pedestal legs on a black base with an edge of repeat white triangles and all supporting a black bowl with a white interior.
Marked: Conjoined WK (in a square), KG (with flower cipher in square), 43 (incised under glaze) / 3,1P (painted).
Another example of this same model can be found in the National Gallery of Victoria in Melbourne, Australia.
Illustrated: Wiener Werkstätte Period Photo Archiv, MAK Museum, Vienna, p. 42.Vienna 1900-1930: Art in the Home, Historical Design, Inc., exhib. cat. (New York: 1996) p. 45; Viennese Design and the Wiener Werkstätte, J. Kallir (New York: Galerie St. Etienne, 1986), p. 80; Wiener Keramik, Historismus, Jugendstil, Art Déco, Waltraud Neuwirth (Braunschweig: Klinkhardt & Biermann, 1974), p. 349.
H: 8 1/2″ x Dia: 9 7/8″
Price: $10,500