CHRISTOPHER DRESSER  (1834-1904)  UK
JAMES DIXON & SONS Sheffield, England

“Triple Arch” square handle toast rack c.1881

Silver-plate

Marks: JD&S (stamped), Chr. Dresser (facsimile signature), EP, #67, diamond or clover touchmark

Illustrated: 1885 Dixon catalogue, p. 95

For more information see: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998); Charles Handley-Read, “High Victorian Design:  An Illustrated Commentary” in ‘Design 1860-1960’ sixth conference report of the Victorian Society (London, 1968); Victorian and Edwardian Decorative Art: The Handley-Read Collection, ed. Simon Jervis (London:  Diploma Galleries,1972); Christopher Dresser:  pottery, glass, metalwork, (London:  The Fine Arts Society Ltd., 1972); Isabelle Anscombe & Charlotte Gere, Arts & Crafts in Britain and America (New York:  Rizzoli International Publications, Inc., 1978); Truth, Beauty and Design, Victorian, Edwardian and later Decorative Art (London:  Fischer Fine Art Limited),; A Thing of Beauty:  Art Nouveau, Art Deco, Arts & Crafts Movement and Aesthetic Movement Objects in Atlanta Collections (Atlanta, GA:  The High Museum of Art, 1980), cat. no. M2; Widar Halén, Christopher Dresser (Oxford: Phaidon, 1990),; Judy Rudoe, Decorative Arts 1850-1950:  A Catalogue of the British Museum Collection (London: Trustees of the British Museum, 1991),; Gerda Breuer, Von Morris bis Mackintosh – Reformbewegung zwischen Kunstgewerbe und Sozialutopie,  Arts and Crafts (Darmstadt: Institut Mathildenhöhe, 1994/95); “The Silver Designs of Dr. Christopher Dresser,” Shirley Bury, Apollo (December, 1962);

Extremely rare model

H: 4 1/2″ x D: 4 1/2″ x W: 6 1/2″