Product Description
International Silver Company / Kurt Eric Christoffersen Sterling “Continental” candlesticks c.1955
KURT ERIC CHRISTOFFERSEN (1926-1981) Denmark
INTERNATIONAL SILVER COMPANY Meriden, CT
Pair of Continental candlesticks c.1955
Sterling silver
Marks: INTERNATIONAL STERLING / Christoffersen Designed / CV200
Illustrated: International Sterling Crafts Associates
These candlesticks are illustrated in a vintage ad from the mid-1950’s and were priced at $70 for the pair!
H: 5″ x Dia: 4″
Price: $3,500
Born in Ringsted, Denmark, Kurt Eric Christoffersen graduated from the Academy of Arts and Crafts in Copenhagen. The gifted young craftsman apprenticed with the Copenhagen fir m of Petersen & Lassen, Goldsmiths, before training under the aegis of A. Michelsen, jewelers to the Royal House of Denmark. In 1949, Christoffersen received the Silver Medal for Excellence, the highest award given by the Danish Gold and Silversmiths Guild. Christoffersen began designing for International Silver Co. in 1955.
International Silver Company / Kurt Eric Christoffersen Sterling “Continental” candlesticks c.1955
HAYNO FOCKEN (1905-1968) Germany
Round covered box c. 1935
Hand-wrought and hand-hammered copper with brass details
Marks under the foot: HF (conjoined monogram)
For other works by Hayno Focken see: Metallkunst: Vom Jugendstil zur Moderne (1889-1939), ed. Karl H. Bröhan (Berlin: Bröhan Museum, 1990), illus. 177, p. 183; Avantgarde Design 1880=1930,Torsten Bröhan & Thomas Berg (Köln, Benedict Taschen, 1994) p. 116; , (Berlin 1937) S. 43f, Abb. 37, Abb. S 128, S 146, Sl 243; Die Schaulade 15 Ausg. A (1939) Abb. S. 197, S. 204, S. 213; Die Schaulade 16 Ausg. A (1940) Abb. S. 44, S. 51., S. 54, S. 71, S. 83. S. 89; Die Kunst 84 (1941) S. 136, S. 139-39; Die Schaulade 17 (1941) Abb. S. 13, S. 41, S. 82, S. 229;
H: 4 ¼” x Dia: 4 7/8”
Hayno Focken (1905-1968) was an eminent German metal artist. He completed his training under Professor Karl Müller (1888-1972) at the design and arts school on Giebichenstein Castle in Halle (Saale), which was strongly tied to the ideals of the Deutsche Werkbund and the Bauhaus. In 1932 he established his own workshop in Lahr/Schwarzwald and continued his work until shortly before his death. His artistic work always stood out with a strong preference for large, organic forms, a similar manner of surface design and the same adherence to the principle of handicraft. Even his artist signet was modelled on the simple, square castle mark. In the 1950s he became one of those significant artists who had a major impact on contemporary metal design. The foundation of his creative work was a masterful understanding of proportions.